
In my opinion, the best film of 1999, a dark comedy/drama that revelead two new cinema genius, Alan Ball as a writer and Sam Mendes as a director. Both received an Oscar for their work. A film that explores themes of romantic and paternal love, freedom, beauty, self-liberation, existentialism, the search for happiness, and family against the backdrop of modern American suburbia. Kevin Spacey (another oscar-winning, for Best Actor in a Leading Role), plays Lester Burnham, a man on the brink of a mid-life crisis, who suddenly becomes obsessed with one of his teenage daughters friends played by Mena Suvari. Because of this obssesion, Lester begins to return to his youth: quits his jobs and starts working in a fast food restaurant, buys a new Firebird and even starts buying drugs... His daughter (Thora Birch) is, as Lester tells us in the beginning of the film , "a typical teenager. Angry, insecure, confused...". And his wife Caroline (Annette Bening, nominated for Best Actress in a Leading Role but lost to Hillary Swank) has an obsession of her own, her public appearance. Life starts off on a downer for the Burnhams and their new neighbours the Fitts despite their lives looking good from the outside. As life begins to improve (with most of the main characters finding what they think is love or new relationships) it soon all comes crashing down in the climactic final day.
The writing is nothing short of brilliant and made even more amazing by knowing that it comes from a first time feature film screen writer Alan Ball (who had had years of prior experience writing TV sitcoms - not that you'd be able to guess from the tone of this film). The directing is on a par with the writing and Sam Mendes manages to get some brilliant performances from the great cast, who are all faultless. No doubt Mendes' theatre directing past played a huge part in directing the actors so well. Another person worthy of a mention is the late director of photography Conrad L. Hall, another one of the five oscar recipients for this film.All the elements in this film gel perfectly together to make one superb masterpiece. Not one person, either cast or crew, steals this film or does anymore than anyone else to make this film what it is. Truly an ensemble effort. 10/10
Labels: 10, 1999, American Beauty, Annette Bening, Flower, Kevin Spacey, Metaphor, Oscar, Sam Mendes
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