Cinema Experts

“I've been around horses, but I certainly wouldn't call myself a horseman by any means. It's a combination of being very aware of them, and not trusting them.”
Cooper was born in Kansas City, Missouri to Mary Ann, a homemaker, and Charles Cooper, who served as a doctor in the United States Air Force and operated a cattle ranch. He has an older brother, Chuck, and grew up as a "blue-collar cowpoke" in Houston, Texas and Kansas City. Cooper attended Stephens College and the University of Missouri–Columbia, where he dual majored in the school of agriculture and the school of drama. After graduation, Cooper moved to New York City to pursue his career.
Cooper's early performances include Matewan, the 1987 picture by John Sayles, and the 1989 miniseries Lonesome Dove. Some of his standout performances include Money Train as a psychotic pyromaniac who terrifies toll booth operators, Lone Star in a rare leading role as a Texas sheriff charged with solving a decades old case, and American Beauty as a homophobic Colonel of the United States Marine Corps. While many felt that Cooper should have been nominated for an Academy Award for Best Supporting Actor in that film, he eventually won an Academy Award and a Golden Globe Award in 2003 for playing the role of John Laroche in Adaptation. Cooper also appeared in The Bourne Identity in 2001 as a ruthless CIA special ops director, a role he reprised (in flashbacks) in The Bourne Supremacy.
Cooper was busy in 2005, having appeared in three well-received and acclaimed films: Jarhead (reuniting him with American Beauty director Sam Mendes and October Sky actor Jake Gyllenhaal), Capote and Syriana. His most recent role is in the thriller Breach, playing real-life FBI operative and spy Robert Hanssen; Cooper has said that he believes Breach is the "first studio film where they've considered me the lead" actor.
Cooper will next appear as a government agent in dangerous territory alongside Jamie Foxx, Jennifer Garner and Jason Bateman in the action thriller The Kingdom.

“I have to go right home. I know how to finish the script now. It ends with Kaufman driving home after his lunch with Amelia, thinking he knows how to finish the script. Shit, that's voice-over. McKee would not approve. How else can I show his thoughts? I don't know. Oh, who cares what McKee says? It feels right. Conclusive. I wonder who's gonna play me. Someone not too fat. I liked that Gerard Depardieu, but can he not do the accent? Anyway, it's done. And that's something. So: "Kaufman drives off from his encounter with Amelia, filled for the first time with hope. ‘I like this. This is good’.”
After the phenomenal success of Being John Malkovich in 1999, screenwriter Charlie Kaufman was commissioned to adapt Susan Orlean's non-fiction novel, "The Orchid Thief," for the screen. However, it didn't take long for him to realise that Orlean's book was basically unfilmable, its sprawling and ponderous story lacking any clear structure or coherence. After some months of struggling vainly to write a screenplay from the novel, Kaufman's script inexplicably became the story of a writer's effort to adapt an inadaptable novel. Kaufman's completed script was presented to his financial backers with some trepidation, but they reportedly loved it so much that they decided to abandon the original project and film his screenplay. Spike Jonze, who had also directed "Being John Malkovich," returned to direct "Adaptation," the quirky, twisting, self-referential film that received almost universal critical acclaim.
Much like Federico Fellini's classic 1963 film, '8½,' from which Kaufman almost certainly drew inspiration, 'Adaptation' tells the story of its own creation. Nicolas Cage plays Charlie Kaufman, the lonely, insecure and socially awkward screenwriter who is hired to adapt "The Orchid Thief," written by Susan Orlean, who is portrayed by Meryl Streep. The novel itself concerns the story of John Laroche (played by Chris Cooper), a smug plant dealer who was arrested in 1994 for poaching rare orchids in the Fakahatchee Strand State Preserve. As Kaufman struggles to write the script, his troubles are compounded by the presence of his twin brother, Donald (also played by Nicolas Cage), who is Charlie's exact opposite: reckless, carefree, over-confident and perhaps even a bit dim.
The script for 'Adaptation' darts back and forth between different moments in time, either chronicling Kaufman's screen writing exploits or Orlean's experiences in writing her novel. At several points in the story, more dramatic flashbacks take place: we see Charles Darwin first penning his theories of evolution and adaptation, a brief history of the grim activity of orchid-hunting, and, in one particularly impressive sequence, we are taken back billions of years to the beginning of life, to trace how Charlie Kaufman came to be here today. Though purportedly based on a true story, the events of the film are highly fictionalised, and the story always treads a fine line with reality, with the audience never certain of whether or not an event is real (in the context of the film) or merely a creation of Charlie's (or even Donald's) imagination.
Though Charlie Kaufman (the true-life writer, not the character) often receives most of the accolades for the film, it is director Spike Jonze who shared the vision to execute "Adaptation" on screen. His approach to film-making is always original and daring, never tentative of trying something unique for the sake of the film, even if it may offend the tastes of an audience that is unaccustomed to anything other than the mundane clichés of the modern movies that are churned out daily by Hollywood studios. If this wasn't completely obvious after the weird, twisted, fascinating 'Being John Malkovich,' then 'Adaptation' put any lingering doubts to rest. The director, who started his career directing music videos, seems to share a singular understanding with Kaufman the writer, and a mutual agreement on what the film is actually trying to say.
In addition to a clever story, 'Adaptation' contains some of the finest acting of the 2000s, presenting an excellent selection of seasoned talents at the top of their games. In arguably the greatest role(s) of his career, Nicolas Cage is phenomenal as both Charlie and Donald Kaufman, twin brothers whose complete polarity is startlingly evident in the execution of their respective film scripts. Charlie, whilst writing his adaptation, is determined to avoid the usual clichés and construct a film without any conventional plot, to write a movie "simply about flowers." Donald, however, blissfully oblivious to his own unoriginality as a writer, churns out a hackneyed psychological thriller, entitled 'The 3,' in which the serial killer, his female hostage and the cop are the very same person. In an ironic twist of fate, Donald's trite treatment is hailed as a masterpiece, adding further to the inadequacy already being felt by his disillusioned brother.
Cage is excellent, and often absolutely hilarious, as both characters, giving each brother a distinct attitude and personality, so that it is possible to tell immediately which is which even though their physical appearance is exactly the same. Meryl Streep is equally excellent as Susan Orlean, the journalist for "The New Yorker" who researches John Laroche and endeavours to catch a glimpse of the famed and very rare Ghost Orchid, if only to understand what it feels like to be passionate about something. Chris Cooper arguably steals the entire show as the charismatic and enigmatic Laroche, whose tragedy-afflicted life is dedicated to mastering numerous obscure fields (such as orchid-collecting, or fish-collecting), each of which is sporadically cast aside and permanently forgotten as soon as he feels it's time to move on, to "adapt" to another hobby. From four Academy Award nominations, only Cooper walked away with a statue. Notably, Charlie Kaufman's screenplay was also nominated for an Oscar.
In a nutshell, 'Adaptation' is all about failure. Charlie Kaufman is absolutely determined to write an original script, without cramming in "sex or guns or car chases or characters learning profound life lessons or growing or coming to like each other or overcoming obstacles to succeed in the end." However, after he eventually asks Donald to complete the script for him, it descends into exactly that. A visit to a screen-writing seminar by Robert McKee (memorably played by Brian Cox) – who is famous for warning strongly against Deus Ex Machina – is used as exactly that. Charlie Kaufman the character fails miserably in writing his script, but, ironically, Charlie Kaufman the writer succeeds ever so magnificently… 9/10