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Mostrar mensagens com a etiqueta Gael García Bernal. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Gael García Bernal. Mostrar todas as mensagens

"I'm an actor. I don't need to abide by any ethnicity."
García Bernal was born in Guadalajara, Jalisco, the son of Patricia Bernal, an actress and former model, and José Angel García, an actor and director. His stepfather is Sergio Yazbek, to whom his mother married when García Bernal was young. He started acting at just a year old and spent most of his teen years starring in soap operas. When he was fourteen, he taught literacy to indigenous peoples in Mexico, most often with the Huichol Indians. In his later teens he took part in peaceful demonstrations during the Chiapas uprising of 1994.
García Bernal was becoming a soap opera heartthrob, but at age 19, he left Mexico's television world to study acting at the Central School of Speech and Drama in London, becoming the first person from Mexico to be accepted in the program, and take the journey. Subsequently, García Bernal has starred in some of Mexico's most celebrated recent films, beginning with Amores Perros (2000), then 2001's Y tu mamá también, and El crimen del Padre Amaro (2002). He has also done some theatre work, including a 2005 production of Bodas de Sangre, by Federico García Lorca, in the Almeida Theatre in London. However, it was his debut as a working-class street thug in the Oscar-nominated Amores Perros that first grabbed Hollywood's attention.
García Bernal also portrayed Argentine-born physician turned Cuban revolutionary Che Guevara twice, first in the 2002 TV miniseries Fidel and then, better known, in 2004's The Motorcycle Diaries, an adaptation of a journal a 23-year-old Guevara wrote about his travels across South America. García Bernal has worked for acclaimed directors like Pedro Almodóvar, Walter Salles, Alfonso Cuarón, Alejandro González Iñárritu and Michel Gondry, among others. He has recently taken on roles in English language films, including the Gondry-directed The Science of Sleep, the Alejandro González Iñárritu-directed Babel, and The King, for which he has earned rave reviews. He has been nominated for a BAFTA in 2005 for Best Performance by an Actor in a Leading Role for The Motorcycle Diaries and, in 2006, was nominated for the Orange Rising Star award which acknowledges new talents in the acting industry.
García Bernal has also directed his first feature film, Déficit, which is scheduled for release in 2007.
García Bernal is also featured on the upcoming Devendra Banhart record Smokey Rolls Down Thunder Canyon, contributing vocals on the first track entitled "Cristobal".

“Even though we are too insignificant to be spokesmen for such a noble cause, we believe, and this journey has only confirmed this belief, that the division of American into unstable and illusory nations is a complete fiction. We are one single mestizo race from Mexico to the Magellan Straits. And so, in an attempt to free ourselves from narrow minded provincialism, I propose a toast to Peru and to a united America.”
From director Walter Salles comes a very moving road journey which had me completely spellbound by the end and I'm sure would gain many viewer's hearts as the infamous director dives deep into many different issues.
The story centres around two young doctors going on a motorbike journey around the world, not for personal gain but for the experience. This idea was completely outstanding. It gives the audience an understanding of young people's desires, not for personal gains such as money but for an experience into real life issues and wishing to know more about the world around them. These ideas I'm sure would make viewers aspire to be like the central characters to go out and explore the world and that was a reason why I personally loved this drama, because it gives inspiration to the audience and really moves them in a way which will leave you completely spellbound.
The film centres on many issues but one which stuck out for me was the heavy ideologies of health. In the year 1950 there were many health issues present in the poorer counties such as Peru and this Oscar winning drama is able to capture these issues magnificently. The two central protagonists are doctors and are wishing to help others with their knowledge and expertise as they explore the less fortunate countries to help with the many depressing health problems the countries are experiencing. There is a very highly emotional driven scene when the lead character tries to help a very ill woman who is refusing to be treated. Tensions are always running high in the latter stages of the film when many issues are wishing to be resolved and the central protagonists are putting themselves on the line to help the ill residents of the poor countries.
Having changes in situations was a very powerful technique. The characters experience a poor life and a rich life. Audiences will see different perspectives of life in the 1950s when seeing there are poor and rich countries and are divided by the smallest differences, such as illnesses. We also see more joyous moments and highly emotional driven scenes which also gives a sense of how life is, the good and bad sides are both expressed in equal amounts which in my opinion was a fantastic move and will capture your heart as it did mine.
Centred on the 1950s the film captured the essence of the politically driven time beautifully. Audiences see job issues, money problems and country matters which all juxtapose perfectly to capture the essence of the time and crate a high realism in context of the time.
The acting by everyone involved is absolutely outstanding and it confused me when not one received an Oscar nomination because Gael Garcia Bernal and Rodrigo De la Serna are remarkable as the two travellers. Both dealing with their own issues we see different types of characters but similar characteristics to which made the film more believable of society where opinions are divided but also shared.
Bernal plays a character who is always saying what he feels and is never wishing to back down from anyone or anything and he pulled it off tremendously. The passion he creates as the central protagonist Guevara is utterly astonishing as he deals with asthma problems, love lives and money issues. It's a lot for him to take as he realises how serious life can be. Serna to also pulls off a classic performance as the older more experienced of the two who is always looking for that little bit more than his fellow traveller.
Using different countries such as Peru, Venezuela, and Spain allows viewers to gain an insight into the vastness of life. Using poor countries as well as rich countries allows viewers to see different sides to the world in the 1950s and was pulled off greatly. The characters can therefore experience what a posh life is like as well as what life in the fast lane gives them. The camera work is astonishing. Shooting from Venezuela, Peru etc we see different perspective of the countries. The scenery is always beautiful with shots of the towns in a poor state and the general background of the countries is to be admired. The shots of the bike on the roads are to be admired. The camera moves adjacent to the bike giving the realistic effect of the bike moving fast along the empty roads, gaining a sense of freedom and enjoyment.
Forget poring over what's to become later; for now just enjoy that feeling of being able to take in the sights at your own pace, that wonderful exultation of liberty that the film conveys so well. Easy Rider on The Mighty One with the wind in your hair. Embrace the possibilities before reality eventually shows up and sets in… 9/10

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