Cinema Experts

"What's the difference between Hollywood characters and my characters? Mine are real."
Lee was born in Atlanta to Bill Lee, a jazz musician and Mary, a school teacher. Lee moved with his family to Brooklyn when he was a small child. The Fort Greene neighborhood is home of Lee's production company, 40 Acres & A Mule Filmworks, and other Lee-owned or related businesses. As a child, his mother nicknamed him "Spike." In Brooklyn, he attended John Dewey High School. Lee enrolled in Morehouse College where he made his first student film, Last Hustle in Brooklyn. He took film courses at Clark Atlanta University and graduated with a B.A. in Mass Communication from Morehouse College. He then enrolled in New York University's Tisch School of the Arts. He graduated in 1982 with a Master of Fine Arts in Film & Television.
Lee's thesis film, Joe's Bed-Stuy Barbershop: We Cut Heads, was the first student film to be showcased in Lincoln Center's New Directors New Films Festival. The film went on to win NYU's prestigious Wasserman Award and a Student Academy Award.
In 1985, Lee began work on his first feature film, She's Gotta Have It. With a budget of $175,000, the film was shot in two weeks. When the film was released in 1986, it grossed over $7,000,000 at the U.S. box office.
She's Gotta Have It would also lead Lee down a second career avenue. After marketing executives from Nike saw and liked the movie, Lee was offered a job directing commercials for Nike. What they had in mind specifically was pairing Lee's character from She's Gotta Have It, the Michael Jordan-loving Mars Blackmon, with Jordan himself as their marketing campaign for the Air Jordan line. Later, Lee would be a central figure in the controversy surrounding the inner-city rash of violence involving Air Jordans. Lee countered that instead of blaming manufacturers of apparel, "deal with the conditions that make a kid put so much importance on a pair of sneakers, a jacket and gold". Lee, through the marketing wing of his production company, has also directed commercials for Converse, Jaguar, Taco Bell and Ben & Jerry's.
Lee's movies have examined race relations, the role of media in contemporary life, urban crime and poverty, and political issues. Many of his films include a distinctive use of music. Lee's father is a jazz bassist and is responsible for the music in some of his son's films, including Mo' Better Blues starring Denzel Washington.
In 2007 Lee traveled to Tuscany, Italy to prepare a film about the all-African-American "Buffalo" regiment in World War II, and the German S.S. massacre at Sant'Anna di Stazzema.
Lee's film Do the Right Thing was nominated for an Academy Award for Best Original Screenplay in 1989. His documentary 4 Little Girls was nominated for the Best Feature Documentary Academy Award in 1997.On May 2, 2007, the 50th San Francisco International Film Festival honored Spike Lee with the San Francisco Film Society's Directing Award. Lee received an honorary Doctorate in Fine Arts from Long Island University Brooklyn campus, in Brooklyn, New York, on Thursday, May 10, 2007.

“My name is Dalton Russell. Pay strict attention to what I say because I choose my words carefully and I never repeat myself. I've told you my name: that's the Who. The Where could most readily be described as a prison cell. But there's a vast difference between being stuck in a tiny cell and being in prison. The What is easy: recently I planned and set in motion events to execute the perfect bank robbery. That's also the When. As for the Why: beyond the obvious financial motivation, it's exceedingly simple... because I can. Which leaves us only with the How; and therein, as the Bard would tell us, lies the rub.”
Spike Lee is one of the most consistent directors out there. Save for some more uneven pictures like She Hate Me and Girl 6, Lee's body of work is just plain impressive. And while Inside Man is not up there with Do The Right Thing, Clockers and 25th Hour, it is definitely an entertaining and intelligent thriller that does things a little differently than most cookie cutter thrillers you see in theaters nowadays.
A bank robbery in New York has gotten out of control, and it's up to police detective Keith Frazier (Denzel Washington) to act as hostage negotiator and get the bank personal and customers out safely before things turn even worse than they already are. This turns out to be a tough case, since the leader of the bank robbers, Dalton Russell (Clive Owen), turns out to be a very smart individual, who has everything planned to perfection, and who throws up surprise after surprise for Frazier and his men. But while the people around Frazier are slowly getting more and more nervous, he himself does not lose his mind, and begins a high stakes battle of wits with Russell. Things are further complicated, however, when the mayor of New York introduces a mysterious woman to Frazier. This woman (Jodie Foster) wants to protect something that is hidden in one of the safety deposit boxes inside the bank, and she will stop at nothing to force Frazier to let her inside the bank and make sure nothing happens to the contents.
This all sounds like an intriguing premise for a thriller, but the movie goes a few steps further than just having an interesting plot. Because while Inside Man does hit all the right notes when it comes to keeping you guessing about what is really going on, it is also very successful in mixing the grittier moments with comedy elements. At times, Inside Man is very funny, but in a way that does not deflate the tension. The dialogue is sharp, with the conversations between Frazier and Russell being especially fascinating, and both actors are at the top of their game. Washington's Frazier is an intense but laconic individual, who has a permanent smirk on his face but who reads the bank robbers intentions better than anybody else, while Owen is charismatic and fascinating as the mastermind behind the bank robbery. I was a little disappointed however with Jodie Foster's role. While her part is potentially fascinating, she does not really get the chance to do anything with it other than look cool and act tough. Yes, we all know that she is very good at that, but with a bit more background story, and a bit more screen time, her part could have been even more interesting.
With Inside Man, Lee showcases an interesting way of directing thrillers. He ignores the usual build up that you see in thrillers, which consists of an introduction, a chronological development of the main intrigue, followed by a final act in which everything is wrapped up neatly (even flashing forward several times, thus revealing some important developments before they have happened), and this only serves to make Inside Man a movie that is more than your regular suspense movie.
I can highly recommend this movie, it is never boring for a moment, what's more, I was enjoying it so much that as events were progressing toward the climax, I was wishing it would go on. And that's very rare for me in the movies nowadays… 9/10