Cinema Experts

“The work gets more difficult as you get older. You learn more and you gather more experiences, there is deeper pain and higher highs.”
Paltrow was born in Los Angeles, California to the late film and television director, writer, and producer Bruce Paltrow and actress Blythe Danner. Raised in Santa Monica, she attended Crossroads School before moving and attending Spence School, a private girls' school in New York City. Later she briefly studied art history at the University of California, Santa Barbara, before discontinuing her degree and committing herself to acting. She is an "adopted daughter" of Talavera de la Reina (Spain), where she lived as an exchange student and learned Spanish.
Paltrow made her professional stage debut in 1990. Her most recent stage appearance was in Proof at London's Donmar Warehouse. Her debut film was Shout (1991). Later that year, she had a small role as the young Wendy in family friend Steven Spielberg's Hook (1991). She also appeared in Malice and Flesh and Bone.
Paltrow starred in Se7en (1995), opposite Brad Pitt, and Morgan Freeman. The film was hugely successful commercially and critically. Then in 1996 she starred in Emma, where she received strong positive critical acclaim, particularly in Europe, and Asia.
Two years later, Paltrow starred in Shakespeare in Love, an imagining of how William Shakespeare might have written Romeo and Juliet. The film received critical acclaim, earned more than $100 million in domestic box office receipts, and received numerous awards. Shakespeare in Love won the Golden Globes for Best Motion Picture-Musical or Comedy and Best Screenplay, as well as the Academy Award for Best Picture. Paltrow also won the award for Outstanding Performance by a Female Actor in a Leading Role from the Screen Actors Guild. Later that year, Paltrow won the Oscar for Best Actress in a Leading Role. After her Oscar win Paltrow starred in other movie roles such as A Perfect Murder. In 2000 Paltrow starred in The Talented Mr. Ripley which earned over $80 million domestically, and received positive reviews. She then starred in Bounce with Shakespeare in Love costar Ben Affleck, which was moderately successful, both critically and commercially.
Since then, she has had a relatively low-profile, yet steady, film career with a few critically acclaimed film roles, including Proof (2005) and The Royal Tenenbaums (2001). Audiences got their first taste of Paltrow's singing ability with the 2000 release of Duets, in which she co-starred with singer Huey Lewis, who played her karaoke-hustling estranged father. Towards the end of the film, their characters resolve their differences and perform a cover version of Smokey Robinson's Cruisin'. The song, which surprised many of Paltrow's fans, was well-received and was eventually released as a single, getting heavy airplay from Top 40 and adult contemporary-formatted radio stations.
In an interview with The Guardian on 27 January 2006, Paltrow admitted that she divided her career into those movies she did for love and those films she did for money.
The Royal Tenenbaums, Proof, and Sylvia fell into the former category, whilst View From the Top and Shallow Hal were in the latter. In interviews for Shallow Hal, she reported did some research for the role by wearing the fat suit she used during filming, and going to a local bar to gauge the public perception of obese people. She said that people refused to make eye contact with her, and she was treated quite rudely on multiple occasions, and the experience saddened her greatly, with regards to how people treat those who are overweight.Since winning the Academy Award for Best Actress for Shakespeare in Love, Paltrow's box-office profile has declined considerably, with her most recent smash being 1999's The Talented Mr. Ripley.

“If I go back to the beginning, I could start it over again. I could go line by line; try and find a shorter way. I could try to make it... better.”
"Proof", the excellent play by David Auburn, was one of the best things in the New York stage in recent memory. Part of the attraction was the intelligent subject matter, math science, and how it connected the four characters one got to meet. The casting was an ideal one, Mary Louise Parker, Larry Briggman, Johanna Day and Ben Shenkman, playing Cahterine, Robert, Claire and Hal, respectively.
Mr. Auburn and Rebecca Miller, a movie director, herself, took the task of adapting "Proof" for the screen. The result, directed by John Madden, opens the play in cinematic terms, no small undertaking in presenting the movie to a wider audience who might not be interested in science, and much less in the advanced math that plays an important role in the proceedings.
Catherine, the 27 year old, at the center of the film, is a woman who has stayed behind to take care of her aging father, a man much esteemed in academic circles, who is suffering from, perhaps, a neurological illness that is killing him slowly. Catherine has, in a way, sacrificed her life in order to see that Robert spends his last days at home instead of at an institution.
The death of the father brings Claire home. This woman, who lives in New York, wants to get rid of everything connected with her father. She even has made plans for Catherine to move from Chicago to be near each other in New York, where things are much better. To complicate things, Harold, the nerdy math student, finds a hidden notebook that might contain a discovery that will revolutionize math. The only problem is the proof might not have been the dead man's own creation.
"Proof" works as a film because of Mr. Madden's direction. We are kept involved in what is going on because we have been won by Catherine, the wounded woman trying to live her life without having to tend to a sick man. Catherine love for math, in a way, makes her realize her place is in the same institution where her father made mathematical discoveries as she will be following his steps.
Gwyneth Paltrow makes an excellent Catherine, a role she had played on the London stage. Paltrow is a welcome presence in the movie because of the intelligence she projects when working with a good director like John Madden. Hope Davis, another excellent actress, plays Claire, the materialistic sister who has arrived and who wants to transform the frumpy Catherine and mold her to her own taste.
Davis has accustomed us to expect a valuable contribution to any film in which she plays. As Claire, she clearly understand who this character she is portraying really is.
Anthony Hopkins has only a few good moments on the screen. But it's Jake Gyllenhaal who deserves special compliment for taking on a role with nothing to hang on to, not even a stereotype, and turning it into a real person with passion, warmth and weakness. Finally, the script is just great as the characters talk just the way people talk, rather than deliver smart-Alex punchlines every five minutes. Maybe for some movies, that's alright. But "Proof" demands and deserves a lot more… 9/10

“Good things about Mr. Ripley? Could take some time… Tom is talented. Tom is tender... Tom is beautiful... Tom is a mystery. Tom is not a nobody. Tom has secrets he doesn't want to tell me, and I wish he would. Tom has nightmares. That's not a good thing. Tom has someone to love him. That is a good thing. Tom is crushing me. Tom is crushing me... Tom, you're crushing me!”
When it comes to naming the best films of the 1990's, The Talented Mr. Ripley hardly ever gets a mention. This is one of cinema's greatest mysteries; how can a film as well made, constantly intriguing and brilliantly conceived as this one constantly get passed over? And in favour of many under deserving films as well? Really strange. Almost as big a mystery as the one I've just mentioned is the web of intrigue created here. Through deep, complex characters and situations rich with double meaning, Anthony Minghella has turned Patricia Highsmith's original novel into a cinematic masterpiece. The talented Matt Damon stars as the talented man of the title that is offered $1000 to travel to Italy to try and return Dickie; the rich and spoilt son of a millionaire. What follows is a complex, disturbing and fascinating expose of a man ingratiating himself into the lives of Dickie, his girlfriend Marge and high society on the whole...
The main reason why The Talented Mr. Ripley works so well is that it's central characters are deep labyrinths that beg to explored and analysed. Every scene is rich with double meaning and character interactions that exist under the surface of the drama we are seeing on screen. The character of Tom Ripley is a true masterpiece of characterisation indeed. This sociopath, that would rather be "a pretend somebody than a real nobody" is a myriad of contradictions and muddled personalities. His actions are always amoral and through his lies and deception, it is obvious that he doesn't care at all for anyone around him. However, despite this; we are still able to feel for him through his tribulations. The story is told in such a way that it is difficult to feel for any of the other characters and all of our sympathies lie with the talented Tom Ripley. This puts the audience in a strange situation, as we're used to hating the antagonist and feeling for the protagonist, but this film turns that on it's head, and to great effect.
The film is helped implicitly by the fact that it's one of the most professionally made films ever to make it onto the screen. Every scene, every action, every line uttered is done with the greatest assurance and nothing at all in the film appears to be there by accident or out of place. The way that the characters interact with each other and their surroundings is always believable and we never question anything that is shown on screen. Anthony Minghella's direction is more than solid, and this is helped by the stunning photography, courtesy of 1950's Italy. Many times a film has benefited from Italy's landscape, and this is one of them. This is all great, but it's the performances that put the final finishing touch on this amazing masterclass of film-making. As mentioned, the talented Mr Damon takes the lead role and completely makes it his own. He often gets coupled with his friend, Ben Afleck, when it comes to acting; but this is very unfair as Damon is one of today's brightest stars. Jude Law and Gwyneth Paltrow make up the other two leads. I'm not the biggest fan of either of these two stars, but both, like Damon, give performances here that will always be associated with their personalities. Cate Blanchett has a small role, but the real plaudits for the smaller performances go to the brilliant Phillip Seymour Hoffman, who steals every scene he's in.The Talented Mr. Ripley is one stunning piece of film. Ignore the people that don't consider this one of the 1990's greatest achievements; they are wrong. The film is a masterpiece of tense situations, great characterisation and professional film-making. And I refuse to hear otherwise... 9/10