Cinema Experts

“Be like a duck, my mother used to tell me. Remain calm on the surface and paddle like hell underneath."
When Caine first became an actor, he adopted the stage name "Michael Scott". His agent soon informed him, however, that another actor was already using the same name, and that he had to come up with a new name immediately. Speaking to his agent from a telephone box in Leicester Square in London, Caine looked around for inspiration, noted that The Caine Mutiny was being shown at the Odeon Cinema, and decided to change his name to "Michael Caine". He once joked to an interviewer that had he looked the other way, he would have ended up as "Michael One Hundred and One Dalmatians".
Caine's acting career began in Horsham, West Sussex. He responded to an advertisement for an assistant stage manager for the Horsham-based Westminster Repertory Company. This led to walk-on roles at the Carfax Theatre. After several minor roles, Caine came into the public eye as an upper-class British army officer in the 1964 film Zulu. This proved paradoxical, as Caine was to become notable for using a regional accent, rather than the received pronunciation hitherto considered proper for film actors. At the time, Caine's working-class cockney, just as with The Beatles' Liverpudlian accents, stood out to American and British audiences alike. Zulu was closely followed by two of his best-known roles: the spy Harry Palmer in The Ipcress File (1965), and the woman-chasing title character in Alfie (1966). He went on to play Palmer in a further two films, Funeral in Berlin (1966) and Billion-Dollar Brain (1967). Caine made his first movie in the United States in 1966, after an invitation from Shirley MacLaine to play opposite her in Gambit. During the first two weeks, whilst staying at the Beverly Hills Hotel, he met long term friends John Wayne and agent "Swifty" Lazar.
After ending the 1960s with the equally iconic The Italian Job, with Noel Coward, and a solid role as an RAF fighter pilot, Squadron Leader Canfield, in the all-star cast of Battle of Britain (1969), Caine entered the 1970s with Get Carter, a British gangster film. Caine was busy throughout the 1970s, with successes including Sleuth (1972), opposite Sir Laurence Olivier and The Man Who Would Be King (1975), costarring Sir Sean Connery. By the end of the decade, he had moved to the U.S., but his choice of roles was beginning to be criticised. Caine was averaging two films a year, but these included such failures as The Swarm (1978), Beyond the Poseidon Adventure (1979), The Island (1980) and The Hand (1981). Although Caine also took better roles, including a BAFTA-winning turn in Educating Rita (1983) and an Oscar-winning one in Hannah and Her Sisters (1986), he continued to appear in notorious duds like Jaws: The Revenge (1987) and Bullseye! (1990). Of the former, Caine famously said "I have never seen the film, but by all accounts it was terrible. However I have seen the house that it built, and it is terrific".
The 1990s were a lean time for Caine as he found good parts harder to come by. His early '90s output included a villain in the Steven Seagal flop On Deadly Ground (1994), two straight to video Harry Palmer sequels and a few television movies. However, Caine's reputation as a pop icon was still intact, thanks to his roles in films such as The Italian Job and Get Carter. His performance in 1998's Little Voice was seen as something of a return to form, and won him a Golden Globe Award. Better parts followed, including The Cider House Rules (1999), for which he won his second Oscar, Last Orders (2001), The Quiet American (2002) and others which helped rehabilitate his reputation. Several of Caine's classic films have been remade to appeal to new, younger audiences, including The Italian Job, Get Carter, and Alfie. In 2005, he was cast as Bruce Wayne's butler Alfred in the Batman film series. In 2006, he appeared in the films Children of Men and The Prestige.
Caine has been Oscar-nominated six times, winning his first Academy Award for the 1986 film Hannah and Her Sisters, and his second in 1999 for The Cider House Rules, in both cases as a supporting actor. He was appointed Commander of the Order of the British Empire (CBE) in 1993 for services to drama, and in 2000 he was knighted, becoming Sir Maurice Micklewhite. Unlike many actors who adopt their stage name for everyday use, Caine still uses his real name when he is not working.
Caine is a popular subject for impressionists and mimics, having a voice and manner of speaking that are distinctive, yet fairly easy to imitate. Most Caine impressions include the catchphrase "Not a lot of people know that”. In 1983, the remark really caught on, when Caine was given the line to say as an in-joke in the film Educating Rita. In 1984, he also put the name Not A Lot Of People Know That! to a book of trivial facts for charity.
Caine is one of only two actors to be nominated for an Academy Award for acting (either lead or supporting) in every decade since the 1960s. The other is Jack Nicholson.

"An actor should never be larger than the film he's in."
Christian Charles Philip Bale is a Welsh-born English method actor who is known for his roles in the films American Psycho, Shaft, Equilibrium, The Machinist, Batman Begins and The Prestige, among others. Bale is also known for his versatility as an actor, including mimicking nearly any English-language-based accent, harsh regimens of shedding and gaining weight and generally inhabiting the characters he plays. Before he found success in playing Batman, he was heavily involved in independent films.
He made his film debut as Tsarevich Alexei Nikolaevich of Russia in the made-for-television film Anastasia: The Mystery of Anna in 1986, which was followed by leading roles in the miniseries Heart of the Country and the fantasy adventure Mio in the Land of Faraway, in which he appeared for the first time with Christopher Lee. In 1987, Amy Irving, his co-star in Anastasia: The Mystery of Anna, recommended Bale to her then-husband, Steven Spielberg, for a role in Empire of the Sun. Bale's performance as Jim Graham earned him widespread critical praise and the first ever "Best Performance by a Juvenile Actor" award from the National Board of Review of Motion Pictures; the Board created the award especially for him.
In 1994 Bale was handpicked by Winona Ryder to star in Gillian Armstrong's version of Louisa May Alcott's Little Women. In 1995. Bale provided the voice for Thomas, a young compatriot of Captain John Smith, in Disney's Pocahontas. In 1997, Bale played the lead in Todd Haynes' tribute to glam rock, Velvet Goldmine. In 1999, Bale contributed to an all-star cast, including Kevin Kline, Michelle Pfeiffer, Stanley Tucci, and Rupert Everett in an updated version of A Midsummer Night's Dream.
In 1999, Bale prepared to undertake what would arguably be his most acclaimed role, as serial killer Patrick Bateman in American Psycho. The film diverged from the novel in some instances, but was generally faithful. Bateman was, on the outward, a stereotypical yuppie, but underneath the public image he had created for himself he was actually a murderous psychopath. Bale researched Bateman by studying the novel. He prepared himself physically for the role by spending months tanning and exercising rigorously in order to achieve Bateman’s Olympian physique, even going so far as to distance himself from the cast and crew in order to preserve the darker side of Bateman’s character.
In 2004 Bale played Batman and was set to star with the predominantly British and Irish cast of Liam Neeson, Katie Holmes, Michael Caine, Morgan Freeman, Gary Oldman and Cillian Murphy in the Christopher Nolan-helmed Batman Begins, a complete restart of the Batman mythos without any ties to the Burton or Schumacher visions.

“Every great magic trick consists of three parts or acts. The first part is called "The Pledge". The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But of course... it probably isn't. The second act is called "The Turn". The magician takes the ordinary something and makes it do something extraordinary. Now you're looking for the secret... but you won't find it, because of course you're not really looking. You don't really want to know. You want to be fooled. But you wouldn't clap yet. Because making something disappear isn't enough; you have to bring it back. That's why every magic trick has a third act, the hardest part, the part we call "The Prestige".
The Prestige is a 2006 period film directed by Christopher Nolan, with a screenplay adapted from the 1995 World Fantasy Award-winning novel of the same name by Christopher Priest. The story follows Robert Angier and Alfred Borden, rival stage magicians in fin de siècle London. Obsessed with creating the best stage illusion, they engage in competitive one-upmanship with tragic results.
The rivalry between Borden and Angier dominates the film. Obsession, secrecy, and sacrifice fuel the battle, as both magicians contribute their fair share to a deadly duel of one-upmanship, with disastrous results. Angier's obsession with beating Borden costs him Cutter's friendship, while Borden's obsession with maintaining the secrecy of his twin leads Sarah to question their relationship, eventually resulting in her suicide; in the end, Angier and Borden both lose Olivia's love because of their obsessions. Their struggle is also expressed through class warfare: Borden as The Professor, a working-class magician who gets his hands dirty, versus Angier as The Great Danton, a classy showman whose accent makes him appear American
Michael Caine took on this engineering role as Cutter, responsible for assisting Rupert Angier (Hugh Jackman) with loyalty and conviction that they could, as a team, beat Christian Bale's Alfred Borden. I thought the cast in general were superb, with Christian Bale leading the charge. Hugh Jackman too showed that he could play a dark character, as the two leads tackled their characters' theme of sacrifice, arrogance, and ultimately redemption, especially for Rupert Angier. I thought he did what he did towards the end was a kind of penance to what happened in the beginning, hoping to kill two birds with a single stone, to exact the sweetest revenge he could possibly muster. What also was intriguing about the two lead characters was that there is no right or wrong, no hero or villain. It's always a shade of grey in what they do, and for Alfred Borden, I felt it's more for survival and the provision for family, which is a strong subplot running through the film. A movie with the power of becoming a cult classic, ''The Prestige'' is magical. In every sense of the Word. 9/10