Cinema Experts

"My dad told me, 'It takes fifteen years to be an overnight success,' and it took me seventeen and a half years."
As a child, Brody performed magic shows at children's birthday parties as "The Amazing Adrien". He attended New York's Fiorello H. LaGuardia High School of Music & Art and Performing Arts (famous as the inspiration for television's Fame). His parents enrolled him in acting classes to distance him from the dangerous kids with whom he associated.
Brody hovered on the brink of stardom, receiving praise for his roles in Spike Lee's Summer of Sam and Terrence Malick's The Thin Red Line. He received widespread recognition when he was cast as the lead in Roman Polanski's The Pianist (2002). To prepare for the role, Brody withdrew for months, gave up his apartment and his car, learned how to play Chopin on the piano, and lost 29 lbs (13 kg). The role won him an Academy Award for Best Actor, making him the youngest actor ever to win the award. He also won a Cesar Award for his performance, becoming the only American actor to win one.
Throughout his career, Brody has been compared to Al Pacino and Marlon Brando for his unique looks and method acting. He is also widely known for giving presenter Halle Berry a back-breaking kiss after winning his Best Actor Oscar, and as the spokesman for fashion brand Ermenegildo Zegna.
Brody appeared on Saturday Night Live on May 10, 2003, his first TV work, but he was banned from the show after giving an improvised introduction while wearing faux dreadlocks for Jamaican reggae musical guest Sean Paul (the show's producer, Lorne Michaels, is notorious for hating unscripted performances). However, the unscripted intro remains in reruns of the episode. Other TV appearances include NBC's The Today Show and on MTV's Punk'd after being tricked by Ashton Kutcher.
After The Pianist Brody has appeared in three very different movies. He played Noah Percy, a mentally disabled young man in the movie The Village by M. Night Shyamalan, shell-shocked war veteran Jack Starks in The Jacket, and writer Jack Driscoll in the 2005 King Kong remake. He also played a detective in Hollywoodland.
He has also appeared in Diet Coke commercials and Tori Amos' music video for "A Sorta Fairytale".
On January 5, 2006, Brody confirmed speculation that he indeed was interested and very willing to play the role of The Joker in 2008's The Dark Knight. However, Christopher Nolan and Warner Bros. eventually decided to cast Heath Ledger as The Joker. He was also in talks with Paramount to play Spock in J.J. Abrams Star Trek XI, but it ultimately went to Zachary Quinto .Brody has been confirmed to star as a con man in Rian Johnson's The Brothers Bloom, which is slated for a 2008 release date.

“Spielmann? That is a good name, for a pianist.”
Roman Polanski has proved that he is a great director with films like Chinatown and Rosemary's Baby but this is his crowning achievement. The Pianist follows up and coming piano player Wlad Spielzman from his days as a local hero to a prisoner of war to his time in the ghettos, surviving only by the kindness of strangers. I think many people have touched on this before but what makes this film so amazing and well crafted is because Spielzman is a man that we can all relate to. He is not a hero, he is not a rebel and he is not a kamikaze type that wants and lusts after revenge. He is a simple man that is doing everything in his power to stay alive. He is a desperate man and fears for his life and wants to stay as low as he can. Only from the succor he receives from others does he manage to live and breathe and eat and hide. And this is how I related to him. If put in his position, how would I react? Exactly the way he did. This is a man that had everything taken from him. His livelihood, his family, his freedom and almost his life. There is no time for heroics here.
Does the pianist raise any sympathy from the audience? Not immediately, in my view. The pianist is more than often a drifting character, almost a witness of other people's and his own horrors. He seems to float and drift along the film like a lost feather, with people quickly appearing and disappearing from his life, some helping generously, others taking advantage of his quiet despair, always maintaining an almost blank, dispassionate demeanour. One may even wonder why we should care in the least about this character. But we do care. That is, I believe, the secret to this film's poetry.
In one of the strongest scenes, towards the end, a German officer forces the pianist to play for his life, in an episode that suddenly brings a much lighter, beautifully poetic shade to the film (this German officer will be probably compared to Schindler, although his philanthropy does not quite share the same basis).
This is also a wonderful tribute to Polish artists, through Chopin's music, with the concert at the very end of the film and the opening performance by the pianist at the local radio station (with the sound of bomb explosions in the background) forming an harmonious link between the beginning and end of the film (following Polanski's usual story-frame).
This is one of the best films I have ever seen and what it did to me I cannot describe in words. But in a nutshell, it moved me, made me cry, made me feel like I was in the Polish ghetto in 1940, and ultimately made me kiss the sidewalks as I walked out of the theater and thanked God that I live in the free society that I do. 10/10