Cinema Experts

“I am able to play monsters well. I understand monsters. I understand madmen.”
Hopkins was born in Margam, Port Talbot in Wales to Muriel Anne and Richard Arthur Hopkins, a baker. His schooldays were unproductive. A loner with dyslexia, he found that he would rather immerse himself in art, such as painting and drawing or playing the piano, than attend to his studies. In 1949, to instill some discipline, his parents insisted he attend Jones' West Monmouth Boys' School in Pontypool. He remained there for five terms, of which Hopkins does not have fond memories. He was then educated at Cowbridge Grammar School.
Hopkins was influenced and encouraged to become an actor by compatriot Richard Burton, whom he met briefly at the age of 15. To that end, he enrolled at the College of Music and Drama in Cardiff, from which he graduated in 1957. After a two-year spell in the Army, he moved to London where he trained at RADA, at the suggestion of Roy Marsden.
In 1965, after several years in repertory, he was spotted by Sir Laurence Olivier, who invited him to join the Royal National Theatre. Hopkins became Olivier's understudy, and filled in when Olivier was struck with appendicitis during a production of August Strindberg's The Dance of Death. Olivier later noted in his memoir, Confessions of an Actor, that, "A new young actor in the company of exceptional promise named Anthony Hopkins was understudying me and walked away with the part of Edgar like a cat with a mouse between its teeth".
Despite his success at the National, Hopkins tired of repeating the same roles nightly and yearned to be in movies. In 1968, he got his break in The Lion in Winter playing Richard I, along with future James Bond star Timothy Dalton, who played Philip II of France.
Although Hopkins continued in theatre (most notably in the Broadway production of Peter Shaffer's Equus, directed by John Dexter) he gradually moved away from it to become more established as a television and film actor. He made his small-screen debut in a 1967 BBC broadcast of A Flea in Her Ear. He has since gone on to enjoy a long career, winning many plaudits and awards for his performances. Hopkins was made a Commander of the British Empire (CBE) in 1987, and a Knight Bachelor in 1993. In 1996, Hopkins was awarded an honorary fellowship from the University of Wales, Lampeter.
Hopkins has stated that his role as Burt Munro, whom he portrayed in his 2005 film The World's Fastest Indian, was his favourite. He also asserted that Munro was the easiest role that he had ever played because both men have a similar outlook on life.
In 2006, Hopkins was the recipient of the Golden Globe Cecil B. DeMille Award for lifetime achievement.
Hopkins is renowned for his firm preparation for roles. He has confessed in interviews that once he has committed to a project, he will go over his lines as many times as is needed (sometimes upwards of 200) until the lines sound natural to him, so that he can "do it without thinking". This leads to an almost casual style of delivery that belies the amount of groundwork done beforehand. While it can allow for some careful improvisation, it has also brought him into conflict with the occasional director who departs from the script, or demands what the actor views as an excessive number of takes. Hopkins has also stated that after he's finished with a scene, he simply discards the lines, not remembering them later on. This is unlike other actors that usually remember their lines from a film even years later.
Richard Attenborough, who has directed Hopkins on five occasions, found himself going to great lengths during the filming of Shadowlands (1993) to accommodate the differing approaches of his two stars (Hopkins and Debra Winger), who shared many scenes. Whereas Hopkins liked to keep rehearsals to a minimum, preferring the spontaneity of a fresh take, Winger rehearsed continuously. To allow for this, Attenborough stood in for Hopkins during Winger's rehearsals, only bringing him in for the last one before a take. The director praised Hopkins for "this extraordinary ability to make you believe when you hear him that it is the very first time he has ever said that line. It's an incredible gift."
In addition, Hopkins is a gifted mimic, adept at turning his native Welsh accent into whatever is required by a character. He duplicated the voice of his late mentor, Laurence Olivier, for additional scenes in Spartacus in its 1991 restoration. His interview on the 1998 relaunch edition of the British TV chat show Parkinson featured an entertaining impersonation of comedian Tommy Cooper.
Hopkins' most famous role is the cannibalistic serial killer Hannibal Lecter in The Silence of the Lambs (for which he won the Academy Award for Best Actor in 1992) opposite Jodie Foster as Clarice Starling. It is the shortest lead performance to win an Oscar, with Hopkins onscreen only about 17 minutes total. Hopkins went on to reprise his role as Lecter twice (Hannibal in 2001 and Red Dragon in 2002). His original portrayal of the character in The Silence of the Lambs has been labelled by the American Film Institute as the number-one film villain. Director Jonathan Demme offered Hopkins the role of Lecter in 1989 after it had been turned down by Robert Duvall, Robert De Niro, Gene Hackman, and John Lithgow. At the time, the actor was making a return to the London stage, performing in M. Butterfly. He had come back to Britain after living for a number of years in Hollywood, having all but given up on a career there, saying, "Well that part of my life's over; it's a chapter closed. I suppose I'll just have to settle for being a respectable actor poncing around the West End and doing respectable BBC work for the rest of my life."
Hopkins soon learned, however, that Demme had thought of him for The Silence of the Lambs after remembering his performance as Dr Frederick Treves in The Elephant Man (1980). The character first appeared in the film Manhunter, which was loosely based on Red Dragon. Lecter (spelled "Lektor" in the film) was played by British actor Brian Cox. Since Red Dragon was considered a remake of Manhunter, it allowed Hopkins to play the iconic villain in adaptations of all three of the best-selling Lecter novels by Thomas Harris. The author was reportedly very pleased with Hopkins' portrayal of his antagonist. However, Hopkins stated that Red Dragon would feature his last performance as the character, and that he would not reprise even a narrative role in the latest addition to the series, Hannibal Rising.

“Well, Clarice - have the lambs stopped screaming?”
There are characters who make their entrance in the movie world in such a spectacular way that the actor or actress which played that character risks to be associated with him/her for the rest of his/her career. It's notably the case for Clarice Starling, but especially for Hannibal Lecter. From the moment they appeared for the first time, it became evident that Jodie Foster and Anthony Hopkins would forever be remembered for their iconic roles.
I have to say that it's Hannibal Lecter who impressed me the most. And that's not only the case for me. I allow myself to tell you that anecdote which happened to me. A friend of mine is some kind of horror buff and I decided to test him by showing him "The Silence of the Lambs". He passed the test successfully but I'll always remember his reaction during the famous ambulance scene. When Lecter puts off his mask to reveal his face, my friend instantly gasped. This demonstrates without any doubt the formidable power of Dr. Lecter. His only very presence is frightening. We see him and we are afraid, period.
"The Silence of the Lambs" is the first horror movie in history to be rewarded with the Academy Award for Best Picture. And believe me that it deserves that prize. The Oscars for Foster and Hopkins' acting roles also are. We often associate horror films with ghosts, demons, monsters and other creatures which come from the imaginary and the supernatural. But nothing is more horrifying than what appears real and very plausible. Alfred Hitchcock has already shown that in "Psycho" and director Jonathan Demme raises the bar with this adaptation of Thomas Harris' novel.
The story involves Clarice Starling (played by Foster), a student at the FBI Academy who is also a specialist in serial killers. One of her superiors, Jack Crawford (Scott Glenn), asks Clarice to interview the terrifying psychopath Hannibal "The Cannibal" Lecter (immaculately played by Hopkins) who is also a brilliant psychiatrist, so he could deliver clues which would lead to the capture of Buffalo Bill (Ted Levine), another serial killer actively searched by the FBI.
Lecter accepts to help Clarice, but only to the condition that she feed Lecter's sordid curiosity by confessing herself about her childhood's worst souvenirs. Why is Lecter interesting himself to Clarice's worst days? Does he want to weaken her? Does he want the bad guy to win? Or is he only a sadist and a pervert? I would go with the latter affirmation.
I think that it is useless to specify that, of all the characters, Hannibal Lecter is by far the best and the most fascinating. The other characters describe him in such a frightening and horrible way that we fear him well before we see him for the first time. And when we see him for the first time, we instantly remark his cold and menacing eyes, as well as his disturbing grin. Himself a serial killer, we can consider Lecter as one of the worst (or best, depending on how you read it) villains in the history of cinema, even if we see him killing only once. And precisely, his attack is very stylish. He kills both policemen on the strains of Johann Sebastian Bach's "The Goldberg Variations" and once he accomplished his work, we see him stained with blood, just like a painted how has just finished from making a new painting. That scene establishes a shocking parallel between murder and art.
But Lecter is only one side of this story. In fact, he's only a sub-plot. The true story involves Buffalo Bill's actions. Bill, brilliantly played by Levine, acts in nearly the whole Midwest, but his victims always are rather fat young women. Unlike many movies which hide their killer until the very end, we often see Bill in this film, even if we don't know his true identity, nor the frightening motives of his crimes until the end. The only thing we can discover about Bill is his appearing mental problems which push him to kill.
The horrors of the film aren't limited to the killers themselves. The movie is strewn with blood-chilling naturalistic images, especially the images of corpses who got parts of their skin removed. And how could we forget this unbearable image of the dead policeman with an open abdomen posing like an angel who is about to take off?
There's also a good dose of suspense, especially at the end when Clarice is chasing Bill in his labyrinthine basement. The climax of the pitch-black room while Bill is wearing his night goggles to see in the absolute darkness is breathtaking and holds suspense until the conclusion. At this moment, we're totally absorbed in that cat-and-mouse game at the point that we totally forget Lecter's existence.
"The Silence of the Lambs" is an excellent example of the horrors of the criminal acts and of psychological horror aroused by childhood traumas. Overall, the film is an immense metaphor about the horror of modern world and wants to get sure that the viewer leaves weakened and less in security than before he got inside the theater. The sinister soundtrack of Howard Shore adds to the already sordid atmosphere and the Q. Lazzarus song "Goodbye Horses" adds even more with its broken notes which resonate and give goosebumps. Personnaly, each time that I hear that song, I start thinking about Buffalo Bill who cross-dresses in front of the camera with that song playing in the background.
"The Silence of the Lambs" is a grandiose spooky symphony well-carried by Foster and Hopkins whose roles are already a part of the legend. The numerous references of the movie in the popular culture keep it well alive more than fifteen years after its release. Everybody, at least those who are able to stand horror images, should watch this movie at least once in their life… 10/10