Cinema Experts

"And I also definitely love glamour. I mean, I love getting dressed up, and having someone do my make-up and feeling pretty. I'm not gonna lie about that, cause that's part of what I love about what I do. But celebrity... it's like the feeling of going to the prom, the adolescent feeling of popularity. As an actor, my main focus is finding good writing and attacking a good role. I mean, I understand when you're incredibly famous that it becomes difficult to deal with the publicity aspect. But people who are like me, who go, "Oh, I'm not gonna do that. I'm just here for the work!" I find it to be a little pretentious, honestly. Cause you're not that famous. Calm down."
Peet was born in New York City to Charles Peet, a lawyer, and Penny Levy, a social worker. Peet attended Friends Seminary, then studied history at and graduated from Columbia University, where she auditioned for acting teacher Uta Hagen and decided to become an actress after taking Hagen's class. During her four-year period of study with Hagen, Peet appeared in the off-Broadway revival of Clifford Odets's Awake and Sing.
Peet's first screen performance was a television commercial for Skittles. Her early roles included a guest role on the television series Law & Order. She made her film debut in Animal Room (1995). Peet maintained a steady acting career in relatively obscure indie movies.
Her first major role was as "Jack" in the 1999 WB network series Jack & Jill (which aired for two seasons). She also appeared in the eighth-season finale of Seinfeld as a waitress whom Jerry Seinfeld meets. Her character is notable for seemingly dating two men at once: Jerry and her apparent roommate ("dude"), Lyle. Peet's first role in a widely-released feature film came in 2000, with The Whole Nine Yards, elevating her status from supporting actress to lead. That same year, she was voted one of the 50 Most Beautiful People in the World by People magazine. Peet was also in the movie Saving Silverman with Jack Black and Steve Zahn. She also starred in Something's Gotta Give in 2003. Peet played Diane Keaton's daughter, and, at one point, Jack Nicholson's lover.In 2005, Peet appeared in the play This Is How It Goes, filling in for Marisa Tomei at the last minute after six days of rehearsal. In the same year, she also co-starred in the films Syriana with onscreen husband Matt Damon, and A Lot Like Love, with Ashton Kutcher. In February 2006, she was performing in Neil Simon's Broadway production of Barefoot in the Park. Peet was a member of the cast of the television series Studio 60 on the Sunset Strip, which premiered on NBC on September 18, 2006. She stars with Matthew Perry, with whom she worked in The Whole Nine Yards, and Sarah Paulson, with whom she co-starred in Jack & Jill. In the show; Studio 60 On The Sunset Strip, Peet's character Jordan McDeere is the newly-appointed president of the National Broadcasting System (NBS). In 2006, she also starred along with Dermot Mulroney in a Lifetime movie, Griffin and Phoenix, in which she played a terminally-ill woman living life to the fullest. Her most recent role was in 2007's The Ex, a comedy co-starring Zach Braff in which Peet plays an attorney who stays home to raise a new baby. She will next co-star with Hilary Duff, Amanda Seyfried and Amber Tamblyn in Safety Glass, a film set around the Space Shuttle Challenger launch; filming will begin this fall.

“I'm not afraid of dying . . . I just don't want to be there when it happens.”
To raise money he began writing gags for the agent David O. Alber, who sold them to newspaper columnists. According to Allen, his first published joke "was in a gossip column. It read: 'Woody Allen says he ate at a restaurant that had O.P.S. prices - over people's salaries.'"
At sixteen, he started writing for stars like Sid Caesar and began calling himself Woody Allen, which would remain his moniker (although it's unclear if Allen ever legally adopted the stage name). He was a gifted comedian from an early age and would later joke that when he was young he was often sent to inter-faith summer camps, where he "was savagely beaten by children of all races and creeds".
After high school, he went to New York University where he studied communication and film, but, never committed as a student, he was thrown off his course due to lack of punctuality and commitment. He later briefly attended City College of New York.
After his false starts at NYU and City College, he became a full-time writer for Herb Shriner, earning $75/week at first. At age 19, he started writing scripts for The Ed Sullivan Show, The Tonight Show, Caesar's Hour and other television shows. By the time he was working for Sid Caesar, he was making $1500/week; with Caesar he worked alongside Danny Simon, whom Allen credits for helping him to structure his writing style.
In 1961, he started a new career as a stand-up comedian, debuting in a Greenwich Village club called the Duplex. He contributed sketches to the Broadway revue From A to Z, and began writing for the popular Candid Camera television show, even appearing in some episodes. Together with his managers, Allen turned his weaknesses into his strengths, developing his neurotic, nervous, and intellectual persona. He quickly became a successful comedian, and appeared frequently in nightclubs and on television. Allen was popular enough to appear on the cover of Life in 1969 when Play It Again, Sam opened on Broadway.
Allen started writing short stories for magazines (most notably The New Yorker) as well as plays, the best known of which are the Broadway productions Don't Drink the Water (1966) and Play It Again, Sam (1969).
His first movie production was What's New, Pussycat? in 1965, for which he wrote the initial screenplay. He was hired by Warren Beatty to re-write a script, and to appear in a small part. Over the course of the re-write, Beatty's part grew smaller and Allen's grew larger. Beatty was upset and quit the production. Peter O'Toole was hired for the Beatty role, and Peter Sellers was brought in as well; Sellers was a big enough star to demand many of Woody Allen's best lines/scenes, prompting hasty re-writes. This experience with meddling producers, egotistical stars, and directors ruining jokes, along with a similar experience on the James Bond spoof Casino Royale (for which he did uncredited rewrites of his own scenes), led Allen to decide that the only way filmmaking was worthwhile was if he was in control of the film.
Allen's first directorial effort was What's Up, Tiger Lily? (1966), in which an existing Japanese spy movie was redubbed in English by Allen and his friends with completely new, comic dialogue.
His first conventional effort was Take the Money and Run (1969), which was followed by Bananas, Everything You Always Wanted To Know About Sex (But Were Afraid to Ask), Sleeper, and Love and Death.
In 1972, he also starred in the film version of Play It Again, Sam, which was directed by Herbert Ross. All of Allen's early films were pure comedies that relied heavily on slapstick, inventive sight gags, and non-stop one-liners. Among the many notable influences on these films are Bob Hope, Groucho Marx (as well as, to some extent, Harpo Marx) and Humphrey Bogart. In 1976, he starred in, but did not direct, The Front, a humorous and poignant account of Hollywood blacklisting during the 1950s.
Annie Hall marked a major turn to more sophisticated humor and thoughtful drama. Allen's 1977 film won four Academy Awards, including Best Picture - an unusual feat for a comedy. Annie Hall set the standard for modern romantic comedy, and also started a minor fashion trend with the unique clothes worn by Diane Keaton in the film (the offbeat, masculine clothing, such as ties with cardigans, was actually Keaton's own).
While in production, its working title was "Anhedonia," a term that means the inability to feel pleasure, and its plot revolved around a murder mystery. Apparently, as filmed, the murder mystery plot didn't work (and was later used in his 1993 Manhattan Murder Mystery), so Allen re-edited and re-cut the movie after production ended to focus on the romantic comedy between Allen's character, Alvy Singer, and Keaton's character, Annie Hall. The new version, retitled Annie Hall (named after Keaton's grandmother), still deals with the theme of the inability to feel pleasure. Ranked at No. 35 on the American Film Institute' s "100 Best Movies" and at No. 4 on the AFI list of "100 Best Comedies," Annie Hall is considered to be among Allen's best.
Manhattan, released in 1979, is a black-and-white film that can be viewed as an homage to New York City, which has been described as the true "main character" of the movie. As in many other Allen films, the main characters are upper-class academics, literati, and occasional twits. Even though it makes fun of pretentious intellectuals, the story is packed with obscure references that makes it less accessible to a general audience. The love-hate opinion of cerebral persons found in Manhattan is characteristic of many of Allen's movies including Crimes and Misdemeanors and Annie Hall. Manhattan focuses on the complicated relationship between a middle-aged Isaac Davis (Allen) and a seventeen-year-old Tracy (Mariel Hemingway) - which presages Allen's complicated personal relationship with under-aged Soon-Yi Previn.
Between Annie Hall and Manhattan Allen wrote and directed the gloomy drama Interiors (1978), in the style of the late Swedish director Ingmar Bergman, one of Allen's major influences. Interiors is considered by critics as a significant breakthrough past Allen's "earlier, funnier comedies" (a line from 1980s Stardust Memories).
Allen's 1980s films, even the comedies, have somber and philosophical undertones. Some, like September and Stardust Memories, are often said to be heavily influenced by the works of European directors, most notably Ingmar Bergman and Federico Fellini.
Stardust Memories features a main character, a successful filmmaker played by Allen, who expresses resentment and scorn for his fans. Overcome by the recent death of a friend from illness, the character states, "I don't want to make funny movies any more", and a running gag throughout the film has various people (including a group of visiting space aliens) telling Bates that they appreciate his work, "especially the early, funny ones".
However, by the mid-1980s, Allen had begun to combine tragic and comic elements with the release of such films as Hannah and Her Sisters (winner of three Academy Awards) starring British actor Michael Caine, and Crimes and Misdemeanors, in which he tells two different stories that connect at the end. He also produced a vividly idiosyncratic tragi-comical parody of documentary, titled Zelig.
He also made three films about show business. The first movie is Broadway Danny Rose, in which he plays a New York manager; then, The Purple Rose of Cairo, a movie that shows the importance of the cinema during the Depression though the character of the naive Cecilia. Lastly, Allen made Radio Days, which is a film about his childhood in Brooklyn, and the importance of the radio. Purple Rose was named by Time Magazine as one of the 100 best films of all time, and Allen has described it as one of his three best films, along with Stardust Memories and Match Point (It is worth noting that Allen defines them as "best" not in terms of quality, but because they came out the closest to his original vision).
Before the end of the eighties he made other movies that were strongly inspired by Ingmar Bergman's films. September is a remake of Autumn Sonata, and Allen uses many elements from Persona in Another Woman.
His 1992 film Shadows and Fog (1992) is a black and white homage to German expressionists and features the music of Kurt Weill. He then made his critically acclaimed drama Husbands and Wives (1992) which received two oscar nominations; Best Supporting Actress for Judy Davis and Best Original Screenplay for Allen. His film Manhattan Murder Mystery (1993) combined suspense with dark comedy, and starred Diane Keaton, Alan Alda and Anjelica Huston.
In the late 1990s he returned to lighter movies, such as Bullets Over Broadway (1994), which earned him an Academy Award nomination for Best Director. The musical Everyone Says I Love You (1996) was Allen's first (and, to this point, only) musical.
The singing and dancing scenes in Everyone Says I Love You are similar to the musical starring Fred Astaire and Ginger Rogers, but the plot is comical. The comedy Mighty Aphrodite (1995), in which the Greek and Roman tragedies play a large role, won an Academy Award for Mira Sorvino. Allen's 1999 jazz mockumentary Sweet and Lowdown was also nominated for two Academy Awards for Sean Penn (Best Actor) and Samantha Morton (Best Supporting Actress). In contrast to these lighter movies, Allen veered scathingly dark and satirical towards the end of the 1990s with Deconstructing Harry (1997) and Celebrity (1998). Allen made his only sitcom "appearance" via telephone in the 1997 episode, "My Dinner with Woody" of the show Just Shoot Me!, an episode paying tribute to several of his films.
Small Time Crooks (2000) was his first film with DreamWorks SKG studio and represented a change in direction: Allen began giving more interviews and made an apparent return to his strictly comedy roots. Small Time Crooks was a relative success, grossing over $17 million domestically, but Allen's next 4 films foundered at the box office, including Allen's most expensive film to date, The Curse of the Jade Scorpion (with a budget of $33 million). Hollywood Ending, Anything Else, and Melinda and Melinda were given "rotten" ratings from film-review website Rotten Tomatoes and each earned less than $5 million domestically. Most critics agreed that Allen's films since 1999's Sweet and Lowdown were subpar, and some critics expressed concern that Allen's best years were now behind him.
Match Point (2005) was one of Allen's most successful films in the past ten years and generally received very positive reviews. Set in London, it starred Jonathan Rhys-Meyers and Scarlett Johansson. It is also markedly darker than Allen's first four films under the DreamWorks SKG banner. Match Point earned more than $23 million domestically (more than any of his films in nearly 20 years) and earned over $62 million in international box office. Match Point earned Allen his first Academy Award nomination since 1998 for Best Writing, Original Screenplay and directing and writing nominations at the Golden Globes, his first Globe nominations since 1987. In an interview with Premiere Magazine, Allen stated this was the best film he has ever made.
Allen returned to London to film Scoop, which also starred Johansson, as well as Hugh Jackman, Ian McShane, Kevin McNally. The film was released on July 28, 2006, and received mixed reviews. He has also filmed Cassandra's Dream in London. Cassandra's Dream stars Colin Farrell, Ewan McGregor, and Tom Wilkinson and is expected to be released in November 2007.
After finishing his third London film, Allen headed to Spain. He reached an agreement to film his current project in Barcelona, where shooting started on July 9th 2007. The movie will star international and Spanish actors and actresses, including Scarlett Johansson, Javier Bardem, Patricia Clarkson, and Penélope Cruz.
Allen has said that he "survives" on the European market. Audiences there have tended to be more receptive to Allen's films, particularly France, a country where he has a large fan base (something joked about in Hollywood Ending). "In the United States things have changed a lot, and it's hard to make good small films now," Allen said in a 2004 interview. "The avaricious studios couldn't care less about good films - if they get a good film they're twice as happy, but money-making films are their goal. They only want these $100 million pictures that make $500 million". It has been rumoured he will write/direct a segment for the upcoming film New York, I Love You.