Cinema Experts

"And I also definitely love glamour. I mean, I love getting dressed up, and having someone do my make-up and feeling pretty. I'm not gonna lie about that, cause that's part of what I love about what I do. But celebrity... it's like the feeling of going to the prom, the adolescent feeling of popularity. As an actor, my main focus is finding good writing and attacking a good role. I mean, I understand when you're incredibly famous that it becomes difficult to deal with the publicity aspect. But people who are like me, who go, "Oh, I'm not gonna do that. I'm just here for the work!" I find it to be a little pretentious, honestly. Cause you're not that famous. Calm down."
Peet was born in New York City to Charles Peet, a lawyer, and Penny Levy, a social worker. Peet attended Friends Seminary, then studied history at and graduated from Columbia University, where she auditioned for acting teacher Uta Hagen and decided to become an actress after taking Hagen's class. During her four-year period of study with Hagen, Peet appeared in the off-Broadway revival of Clifford Odets's Awake and Sing.
Peet's first screen performance was a television commercial for Skittles. Her early roles included a guest role on the television series Law & Order. She made her film debut in Animal Room (1995). Peet maintained a steady acting career in relatively obscure indie movies.
Her first major role was as "Jack" in the 1999 WB network series Jack & Jill (which aired for two seasons). She also appeared in the eighth-season finale of Seinfeld as a waitress whom Jerry Seinfeld meets. Her character is notable for seemingly dating two men at once: Jerry and her apparent roommate ("dude"), Lyle. Peet's first role in a widely-released feature film came in 2000, with The Whole Nine Yards, elevating her status from supporting actress to lead. That same year, she was voted one of the 50 Most Beautiful People in the World by People magazine. Peet was also in the movie Saving Silverman with Jack Black and Steve Zahn. She also starred in Something's Gotta Give in 2003. Peet played Diane Keaton's daughter, and, at one point, Jack Nicholson's lover.In 2005, Peet appeared in the play This Is How It Goes, filling in for Marisa Tomei at the last minute after six days of rehearsal. In the same year, she also co-starred in the films Syriana with onscreen husband Matt Damon, and A Lot Like Love, with Ashton Kutcher. In February 2006, she was performing in Neil Simon's Broadway production of Barefoot in the Park. Peet was a member of the cast of the television series Studio 60 on the Sunset Strip, which premiered on NBC on September 18, 2006. She stars with Matthew Perry, with whom she worked in The Whole Nine Yards, and Sarah Paulson, with whom she co-starred in Jack & Jill. In the show; Studio 60 On The Sunset Strip, Peet's character Jordan McDeere is the newly-appointed president of the National Broadcasting System (NBS). In 2006, she also starred along with Dermot Mulroney in a Lifetime movie, Griffin and Phoenix, in which she played a terminally-ill woman living life to the fullest. Her most recent role was in 2007's The Ex, a comedy co-starring Zach Braff in which Peet plays an attorney who stays home to raise a new baby. She will next co-star with Hilary Duff, Amanda Seyfried and Amber Tamblyn in Safety Glass, a film set around the Space Shuttle Challenger launch; filming will begin this fall.

“This is really fascinating, what's going on at this table. Let's take you and Erica. You've been around the block a few times. What are you, around 60? 63. Fantastic! Never married, which as we know, if you were a woman, would be a curse. You'd be an old maid, a spinster. Blah, blah, blah. So instead of pitying you, they write an article about you. Celebrate your never marrying. You're elusive and ungetable, a real catch. Then, there's my gorgeous sister here. Look at her. She is so accomplished. Most successful female playwright since who? Lillian Hellmann? She's over 50, divorced, and she sits in night after night after night because available guys her age want something-forgive me, they want somebody that looks like Marin. The over-50 dating scene is geared towards men leaving older women out. And as a result, the women become more and more productive and therefore, more and more interesting. Which, in turn, makes them even less desirable because as we all know, men - especially older men - are threatened and afraid of productive, interesting women. It is just so clear! Single older women as a demographic are about as fucked a group as can ever exist.”
Something's Gotta Give is writer/director Nancy Meyers' smart and savvy take on middle-age romance. Diane Keaton plays Erica Barry, a 50-something playwright living on her own in a swanky beach house in the Hamptons. Although she has achieved enormous success in her career, her personal life leaves much to be desired. Erica, though brilliant and attractive, has pretty much shut herself off from the dating scene since her divorce a number of years ago. Erica's life runs like a well-oiled machine, with each element - both personal and professional - fitted neatly into place, with no room left over for spontaneity or passion.
One fateful day, Erica stumbles upon a strange man rummaging through her refrigerator, a 63 year-old professional bachelor named Harry Sanborn who, Erica discovers to her horror, is dating her 30 year-old daughter, Marin. Even though Erica is disgusted by the situation, she is forced to take care of Harry after he suffers a heart attack while staying at her place. Despite their diametrically opposed outlooks on love and romance, Erica and Harry spend quality time together, discover their ultimate compatibility, and eventually fall in love.
Meyers has written a witty, sophisticated screenplay that offers insights into any number of 'battle of the sexes' issues. She has outrageous fun exploring the phenomenon of middle-aged men cavorting with women half their age. Jack Nicholson, known in real life for doing just that, has a great time poking fun at his own public image while, at the same time, providing a richly textured portrait of a man who may not be quite as shallow as his persona would suggest. When he so unexpectedly finds his head turned by a vibrant, attractive and intelligent woman in her 50's, Harry, a middle-aged Lothario who finds he needs Viagra to help him keep pace with his youthful 'conquests,' is forced to re-evaluate what has hitherto been the defining philosophy of his personality and lifestyle. Nicholson is magnificent at showing us the profound confusion his character undergoes as he takes those much belated but faltering steps into adult maturity.
Nicholson is, however, only one half of this extraordinary couple. As the other half, Keaton, has never seemed so natural and self-assured on screen. She makes of the character a capable, no-nonsense woman who has allowed her passions to lie dormant far too long. Though, on the surface, she appears confident and in control of her life, Erica is, underneath it all, a woman wounded by past experience and intimidated by a culture that expects women to be put out to pasture the moment they reach middle age. It is this combination of strength and vulnerability that makes Erica such a complex, recognizable individual - and it is the very quality that Keaton captures so exquisitely in her performance. The chemistry generated between Keaton and Nicholson in this film is so glowing and palpable one wonders why no filmmaker ever saw the potential of this dynamic duo until now.
In addition to these two outstanding performers, the film boasts excellent supporting work from Frances McDormand as Erica's pragmatic, clear-headed sister; Amanda Peet as Erica's level-headed daughter; and Keanu Reeves as Harry's handsome young doctor who finds himself smitten by Erica's mature beauty and charm.'Something's Gotta Give' is that rare romantic comedy that not only acknowledges the romantic inclinations of people over forty, but also recognizes the emotional complexities of their relationships. Because both Erica and Harry have been around the block a few times, they bring a lifetime of baggage to their burgeoning attachment. Thus, unlike in the vast majority of romantic comedies, which are clearly geared to the younger generation, the lovers here have a depth not often encountered when the focus is on two inexperienced neophytes. It takes the experience that comes from living to make a person interesting, after all… 8/10