Cinema Experts

“I was pretty ambitious. I felt like I had a good imagination and vision for my life. And I had people telling me 'You are driving the vehicle of your life here. You are the master of your own destiny in a sense. Do whatever you want to do.”
Maguire was born in Santa Monica, California. His father, Vincent Maguire, was a construction worker and a cook. His mother, Wendy Brown, is a secretary turned screenwriter and producer. During his childhood, Maguire entertained the idea of becoming a chef and to that end wanted to enroll in a Home Economics class as a sixth grader. His mother offered him $100 USD to take a drama class instead, and Tobey agreed.
The nomadic nature of his school-age years began to take a toll on Maguire emotionally, and finally, after yet another relocation to yet another school, Maguire dropped out of his freshman year of high school and never returned, deciding to focus himself on his blossoming acting career. By 2000, Maguire had taken the GED to officially graduate from high school, noting that during his high school days, he'd reached a point where “I wasn't doing school. I was showing up, but...not really giving myself.”
Maguire's first appearance in a feature film was in the 1989 movie The Wizard. In that movie, he played a goon of Lucas Barton, one of three competitors at a video game competition, and had no lines. Maguire initially worked as a child actor in the early 1990s, often playing roles much younger than his chronological age; as late as 2002, Maguire was still playing teenagers while in his mid-20s. He appeared in a variety of commercials and TV and movie roles, working opposite such stars as Chuck Norris (Walker, Texas Ranger), Roseanne Barr (Roseanne), and Tracey Ullman (Tracey Takes On...). Eventually, Maguire was cast as the lead in the FOX TV series Great Scott, which was cancelled 5 weeks later.
During many of his auditions, Maguire found himself competing opposite another rising child star actor, Leonardo DiCaprio. The pair struck up a fast friendship and made an informal pact to help each other get parts in their movies/TV shows/other projects. For example, both auditioned for the same part in the 1990 TV series Parenthood; DiCaprio got the part, and Maguire later got a guest role at least partially due to DiCaprio's recommendation. The same scenario played itself out during casting for the 1993 movie This Boy's Life (featuring Robert DeNiro as the lead); DiCaprio got the main teen role (ironically, the character was named "Toby") and Maguire got a part as one of Toby's friends.
By the mid 1990s, Maguire was steadily working but becoming caught up in the hard-partying lifestyle of some of his fellow teen actors. In 1995, Maguire requested director Allan Moyle to release him from his part in the movie Empire Records. Moyle agreed, and all of Tobey's scenes were deleted from the final film. Maguire then sought help for an underaged drinking problem from Alcoholics Anonymous; he has been sober ever since.
As part of his recovery from alcohol and learning to deal with his self-described "addictive and obsessive/compulsive nature", Maguire changed his career path slightly in order to obtain roles where he and DiCaprio would not always be in competition for the same part, and the move paid off when he got the role of Paul Hood, a teenage boarding school student whose narration anchors the action in Ang Lee's 1997 film, The Ice Storm. This soon led to a variety of lead roles where he played a thoughtful boy coming of age, in films such as Pleasantville, The Cider House Rules, and Wonder Boys. In Ride with the Devil (1999), Maguire gave a virtuoso performance as Jakob Roedel, opposite Jewel Kilcher. Though it gained little notice at the time, this film represents the best treatment ever of this part of American history. Maguire also played off his youthful-sounding voice in the 2001 children's movie Cats and Dogs, playing a beagle puppy named Lou.
In 2002, Maguire shot to superstardom as the web-slinging superhero Spider-Man in Sam Raimi's Spider-Man, based on the popular Marvel comic book series. He reprised the part in Spider-Man 2 (2004) and Spider-Man 3 (2007).
Maguire's performance as Spider-Man initially earned him some glowing reviews. Towards the third part of the franchise the actor experienced some backlash in the media. "For his part Mr. Maguire needs to stop relying on those great big peepers of his: simply widening your eyes to attract attention does not cut it when you’re over 30", remarked Manohla Dargis of the New York Times in her review of Spider-Man-3.
Though Maguire has not yet signed on for another sequel, the actor has denied reports that he will not return, stating, "I feel like the stories all deserve to be told, and, you know, if... the whole team wants to get back together, and we feel like we can make a good movie that's worth making, then I'm up for it."
Maguire solidified his stardom in 2003 with a leading role as the jockey John M. "Red" Pollard in the acclaimed film Seabiscuit, about the famous United States' racehorse Seabiscuit. In 2006, Maguire starred in his first villainous role as Corporal Patrick Tully in Steven Soderbergh's The Good German based on the Joseph Kanon novel of the same name opposite George Clooney and Cate Blanchett.
Maguire has also moved into another realm of filmmaking, producing. Maguire's production credits include 25th Hour (2002), Whatever We Do (2003), and Seabiscuit (2003), for which he served as executive producer.

“I'm not afraid of dying . . . I just don't want to be there when it happens.”
To raise money he began writing gags for the agent David O. Alber, who sold them to newspaper columnists. According to Allen, his first published joke "was in a gossip column. It read: 'Woody Allen says he ate at a restaurant that had O.P.S. prices - over people's salaries.'"
At sixteen, he started writing for stars like Sid Caesar and began calling himself Woody Allen, which would remain his moniker (although it's unclear if Allen ever legally adopted the stage name). He was a gifted comedian from an early age and would later joke that when he was young he was often sent to inter-faith summer camps, where he "was savagely beaten by children of all races and creeds".
After high school, he went to New York University where he studied communication and film, but, never committed as a student, he was thrown off his course due to lack of punctuality and commitment. He later briefly attended City College of New York.
After his false starts at NYU and City College, he became a full-time writer for Herb Shriner, earning $75/week at first. At age 19, he started writing scripts for The Ed Sullivan Show, The Tonight Show, Caesar's Hour and other television shows. By the time he was working for Sid Caesar, he was making $1500/week; with Caesar he worked alongside Danny Simon, whom Allen credits for helping him to structure his writing style.
In 1961, he started a new career as a stand-up comedian, debuting in a Greenwich Village club called the Duplex. He contributed sketches to the Broadway revue From A to Z, and began writing for the popular Candid Camera television show, even appearing in some episodes. Together with his managers, Allen turned his weaknesses into his strengths, developing his neurotic, nervous, and intellectual persona. He quickly became a successful comedian, and appeared frequently in nightclubs and on television. Allen was popular enough to appear on the cover of Life in 1969 when Play It Again, Sam opened on Broadway.
Allen started writing short stories for magazines (most notably The New Yorker) as well as plays, the best known of which are the Broadway productions Don't Drink the Water (1966) and Play It Again, Sam (1969).
His first movie production was What's New, Pussycat? in 1965, for which he wrote the initial screenplay. He was hired by Warren Beatty to re-write a script, and to appear in a small part. Over the course of the re-write, Beatty's part grew smaller and Allen's grew larger. Beatty was upset and quit the production. Peter O'Toole was hired for the Beatty role, and Peter Sellers was brought in as well; Sellers was a big enough star to demand many of Woody Allen's best lines/scenes, prompting hasty re-writes. This experience with meddling producers, egotistical stars, and directors ruining jokes, along with a similar experience on the James Bond spoof Casino Royale (for which he did uncredited rewrites of his own scenes), led Allen to decide that the only way filmmaking was worthwhile was if he was in control of the film.
Allen's first directorial effort was What's Up, Tiger Lily? (1966), in which an existing Japanese spy movie was redubbed in English by Allen and his friends with completely new, comic dialogue.
His first conventional effort was Take the Money and Run (1969), which was followed by Bananas, Everything You Always Wanted To Know About Sex (But Were Afraid to Ask), Sleeper, and Love and Death.
In 1972, he also starred in the film version of Play It Again, Sam, which was directed by Herbert Ross. All of Allen's early films were pure comedies that relied heavily on slapstick, inventive sight gags, and non-stop one-liners. Among the many notable influences on these films are Bob Hope, Groucho Marx (as well as, to some extent, Harpo Marx) and Humphrey Bogart. In 1976, he starred in, but did not direct, The Front, a humorous and poignant account of Hollywood blacklisting during the 1950s.
Annie Hall marked a major turn to more sophisticated humor and thoughtful drama. Allen's 1977 film won four Academy Awards, including Best Picture - an unusual feat for a comedy. Annie Hall set the standard for modern romantic comedy, and also started a minor fashion trend with the unique clothes worn by Diane Keaton in the film (the offbeat, masculine clothing, such as ties with cardigans, was actually Keaton's own).
While in production, its working title was "Anhedonia," a term that means the inability to feel pleasure, and its plot revolved around a murder mystery. Apparently, as filmed, the murder mystery plot didn't work (and was later used in his 1993 Manhattan Murder Mystery), so Allen re-edited and re-cut the movie after production ended to focus on the romantic comedy between Allen's character, Alvy Singer, and Keaton's character, Annie Hall. The new version, retitled Annie Hall (named after Keaton's grandmother), still deals with the theme of the inability to feel pleasure. Ranked at No. 35 on the American Film Institute' s "100 Best Movies" and at No. 4 on the AFI list of "100 Best Comedies," Annie Hall is considered to be among Allen's best.
Manhattan, released in 1979, is a black-and-white film that can be viewed as an homage to New York City, which has been described as the true "main character" of the movie. As in many other Allen films, the main characters are upper-class academics, literati, and occasional twits. Even though it makes fun of pretentious intellectuals, the story is packed with obscure references that makes it less accessible to a general audience. The love-hate opinion of cerebral persons found in Manhattan is characteristic of many of Allen's movies including Crimes and Misdemeanors and Annie Hall. Manhattan focuses on the complicated relationship between a middle-aged Isaac Davis (Allen) and a seventeen-year-old Tracy (Mariel Hemingway) - which presages Allen's complicated personal relationship with under-aged Soon-Yi Previn.
Between Annie Hall and Manhattan Allen wrote and directed the gloomy drama Interiors (1978), in the style of the late Swedish director Ingmar Bergman, one of Allen's major influences. Interiors is considered by critics as a significant breakthrough past Allen's "earlier, funnier comedies" (a line from 1980s Stardust Memories).
Allen's 1980s films, even the comedies, have somber and philosophical undertones. Some, like September and Stardust Memories, are often said to be heavily influenced by the works of European directors, most notably Ingmar Bergman and Federico Fellini.
Stardust Memories features a main character, a successful filmmaker played by Allen, who expresses resentment and scorn for his fans. Overcome by the recent death of a friend from illness, the character states, "I don't want to make funny movies any more", and a running gag throughout the film has various people (including a group of visiting space aliens) telling Bates that they appreciate his work, "especially the early, funny ones".
However, by the mid-1980s, Allen had begun to combine tragic and comic elements with the release of such films as Hannah and Her Sisters (winner of three Academy Awards) starring British actor Michael Caine, and Crimes and Misdemeanors, in which he tells two different stories that connect at the end. He also produced a vividly idiosyncratic tragi-comical parody of documentary, titled Zelig.
He also made three films about show business. The first movie is Broadway Danny Rose, in which he plays a New York manager; then, The Purple Rose of Cairo, a movie that shows the importance of the cinema during the Depression though the character of the naive Cecilia. Lastly, Allen made Radio Days, which is a film about his childhood in Brooklyn, and the importance of the radio. Purple Rose was named by Time Magazine as one of the 100 best films of all time, and Allen has described it as one of his three best films, along with Stardust Memories and Match Point (It is worth noting that Allen defines them as "best" not in terms of quality, but because they came out the closest to his original vision).
Before the end of the eighties he made other movies that were strongly inspired by Ingmar Bergman's films. September is a remake of Autumn Sonata, and Allen uses many elements from Persona in Another Woman.
His 1992 film Shadows and Fog (1992) is a black and white homage to German expressionists and features the music of Kurt Weill. He then made his critically acclaimed drama Husbands and Wives (1992) which received two oscar nominations; Best Supporting Actress for Judy Davis and Best Original Screenplay for Allen. His film Manhattan Murder Mystery (1993) combined suspense with dark comedy, and starred Diane Keaton, Alan Alda and Anjelica Huston.
In the late 1990s he returned to lighter movies, such as Bullets Over Broadway (1994), which earned him an Academy Award nomination for Best Director. The musical Everyone Says I Love You (1996) was Allen's first (and, to this point, only) musical.
The singing and dancing scenes in Everyone Says I Love You are similar to the musical starring Fred Astaire and Ginger Rogers, but the plot is comical. The comedy Mighty Aphrodite (1995), in which the Greek and Roman tragedies play a large role, won an Academy Award for Mira Sorvino. Allen's 1999 jazz mockumentary Sweet and Lowdown was also nominated for two Academy Awards for Sean Penn (Best Actor) and Samantha Morton (Best Supporting Actress). In contrast to these lighter movies, Allen veered scathingly dark and satirical towards the end of the 1990s with Deconstructing Harry (1997) and Celebrity (1998). Allen made his only sitcom "appearance" via telephone in the 1997 episode, "My Dinner with Woody" of the show Just Shoot Me!, an episode paying tribute to several of his films.
Small Time Crooks (2000) was his first film with DreamWorks SKG studio and represented a change in direction: Allen began giving more interviews and made an apparent return to his strictly comedy roots. Small Time Crooks was a relative success, grossing over $17 million domestically, but Allen's next 4 films foundered at the box office, including Allen's most expensive film to date, The Curse of the Jade Scorpion (with a budget of $33 million). Hollywood Ending, Anything Else, and Melinda and Melinda were given "rotten" ratings from film-review website Rotten Tomatoes and each earned less than $5 million domestically. Most critics agreed that Allen's films since 1999's Sweet and Lowdown were subpar, and some critics expressed concern that Allen's best years were now behind him.
Match Point (2005) was one of Allen's most successful films in the past ten years and generally received very positive reviews. Set in London, it starred Jonathan Rhys-Meyers and Scarlett Johansson. It is also markedly darker than Allen's first four films under the DreamWorks SKG banner. Match Point earned more than $23 million domestically (more than any of his films in nearly 20 years) and earned over $62 million in international box office. Match Point earned Allen his first Academy Award nomination since 1998 for Best Writing, Original Screenplay and directing and writing nominations at the Golden Globes, his first Globe nominations since 1987. In an interview with Premiere Magazine, Allen stated this was the best film he has ever made.
Allen returned to London to film Scoop, which also starred Johansson, as well as Hugh Jackman, Ian McShane, Kevin McNally. The film was released on July 28, 2006, and received mixed reviews. He has also filmed Cassandra's Dream in London. Cassandra's Dream stars Colin Farrell, Ewan McGregor, and Tom Wilkinson and is expected to be released in November 2007.
After finishing his third London film, Allen headed to Spain. He reached an agreement to film his current project in Barcelona, where shooting started on July 9th 2007. The movie will star international and Spanish actors and actresses, including Scarlett Johansson, Javier Bardem, Patricia Clarkson, and Penélope Cruz.
Allen has said that he "survives" on the European market. Audiences there have tended to be more receptive to Allen's films, particularly France, a country where he has a large fan base (something joked about in Hollywood Ending). "In the United States things have changed a lot, and it's hard to make good small films now," Allen said in a 2004 interview. "The avaricious studios couldn't care less about good films - if they get a good film they're twice as happy, but money-making films are their goal. They only want these $100 million pictures that make $500 million". It has been rumoured he will write/direct a segment for the upcoming film New York, I Love You.

"I enjoy making things that are different. It makes for a better career. I don't want to do the same thing twice. I love the different roles I've played. I don't ever want to be pigeonholed! That's the great thing about acting - all these different people I can play, as long as audiences are willing to see them. The more different roles I do, the more different roles I will get."
Hemingway was born in Mill Valley, California, daughter of Byra Louise and Jack Hemingway, a writer. Her paternal grandfather was writer Ernest Hemingway and her sister was Margaux Hemingway; she never met her grandfather, as he died several months before she was born. She was named after the Cuban port of Mariel - a village that her father and grandfather visited regularly as sportsmen to fish. Her middle name was after her paternal grandmother, Elizabeth Hadley. Hemingway grew up primarily in Ketchum, Idaho, where her father lived, and where her paternal grandfather also spent a great deal of time as a sportsman and writer. Mariel also spent part of her adolescence growing up in New York and Los Angeles.
Hemingway's first role was with her sister Margaux in the 1976 film Lipstick. The movie was not considered especially good, but Mariel did receive notice for the quality of her acting, and she was nominated as "Best Newcomer" for the Golden Globes Award that year. Hemingway's most famous role is as Tracy in Woody Allen's Manhattan, in which she plays the high school lover of Isaac (Woody Allen). Only seventeen at the time, she was nominated for an Oscar for best supporting actress.
In the 1982 movie Personal Best, she played a bisexual athlete in a movie noted for some explicit (by mainstream standards) lesbian love scenes. In 1983, she starred as Dorothy Stratten in Star 80, a film about the Playboy model's life and murder. For that role, Hemingway had her breasts enlarged. Her implants were later removed in 2001 after one of them ruptured. Hemingway was featured in newly discovered deleted footage, which was shown in a very rough edit with unfinished visual effects, from Superman IV: The Quest For Peace and was released on DVD in November 2006 as a Deluxe Edition and as part of The Ultimate Superman Collection.
Hemingway has played a lesbian in several film or television shows in which she starred, including Personal Best, an infamous episode of the sitcom Roseanne in which she kissed Roseanne Barr on the lips, and an episode of Crossing Jordan. This has led to some speculation as to whether she is herself a lesbian. Hemingway herself made fun of her reputation for lesbian roles in her monologue on Saturday Night Live during the September 30, 1995 episode that she hosted, where she kisses the new female cast members while giving viewers a tour behind the scenes of Studio 8-H. She has a perfume, "Mariel", by H2O+.

"You're only given one little spark of madness. You mustn't lose it."
Williams first achieved notice for his stand-up routines, performing for tips, and working clubs like The Purple Onion in San Francisco. After appearing in the cast of the short-lived The Richard Pryor Show on NBC, he was cast by Garry Marshall as the alien Mork in a guest role in the TV series Happy Days.
As Mork, Williams improvised much of his dialogue and devised plenty of rapid-fire verbal and physical comedy, speaking in a high, nasal voice. Mork's appearance was so popular with viewers that it led to a spin-off hit television sitcom, Mork and Mindy, which ran from 1978 to 1982. Williams became an overnight sensation, and Mork was featured on posters, coloring books, lunchboxes, and other merchandise. His nonsensical catch phrases, including the greeting "Nanu, Nanu!" and the expletive "Shazbot!", were widely known.
Starting in the late '70s and throughout the '80s, Williams began to reach a wider audience with his standup comedy, including three HBO comedy specials, Off The Wall (1978), An Evening with Robin Williams (1982) and Robin Williams: Live at the Met (1986). His standup work has been a consistent thread through his career, as is seen by the success of his one-man show Robin Williams Live on Broadway (2002). He was voted 13th on Comedy Central's list "100 Greatest Stand-ups of All Time".
After some encouragement from his friend Whoopi Goldberg, he was set to make a guest appearance in the 1991 Star Trek: The Next Generation episode, "A Matter of Time", but he had to cancel due to a scheduling conflict. Williams also appeared on an episode of Whose Line Is It Anyway?. During a game of "Scenes from a Hat", the scene "What Robin Williams is thinking right now" was drawn, and Williams stated "I have a career. What the hell am I doing?"
The majority of Williams' acting career has been in film, although he has given some memorable performances on stage as well (notably as Estragon in a production of Waiting for Godot). His first starring roles, Popeye (1980) and The World According to Garp (1982), were both considered flops, but his performance in Good Morning, Vietnam (1987) got Williams nominated for an Academy Award and established a screen identity. Many of his roles have been comedies tinged with pathos, for example, The Birdcage and Mrs. Doubtfire.
His role as the Genie in the animated film Aladdin was instrumental in establishing the importance of star power in voice actor casting. Later, Williams once again used his voice talents in A.I, the 2005 animated feature Robots, the 2006 Academy Award winning Happy Feet, and an uncredited vocal performance in 2006's Everyone's Hero. Williams has also starred in dramatic films, earning himself two subsequent Academy Award nominations: first for playing an unorthodox and inspiring English teacher in Dead Poets Society (1989), and later for playing a troubled homeless man in The Fisher King (1991); that same year, he played an adult Peter Pan in the movie Hook. Other acclaimed dramatic films include Awakenings (1990), What Dreams May Come (1998), and Jakob the Liar (1999).
In 1997, he won an Oscar as Best Supporting Actor for his role as a psychologist in Good Will Hunting. However, by the early 2000s, he was thought by some to be typecast in films such as Patch Adams (1998) and Bicentennial Man (1999) that critics complained were excessively maudlin. This apparently prompted Williams to take radically unconventional roles, beginning with a role as a lowlife kiddie show host in the dark comedy Death to Smoochy, followed by One Hour Photo in a watershed performance as an obsessed film developer, Insomnia as a sociopathic writer, and The Final Cut, which is more in tune with Williams as a protagonist. In 2006 Williams starred in The Night Listener, a thriller about a radio show host who realizes he's developed a friendship with a child who may or may not exist.In 2006, he starred in five movies including Man of the Year and was the Surprise Guest at the 2006 Nickelodeon Kids' Choice Awards. At one point, he was in the running to play the Riddler in Batman Forever until director Tim Burton dropped the project. Williams had earlier been a prime candidate to play the Joker in Batman. He had expressed interest in assuming the role in the sequel to 2005's Batman Begins.