Cinema Experts

"Only five people got nominated in that category, and that's not very many people. So I did all right."
Moore was born Julie Anne Smith in Fort Bragg, near Fayetteville, North Carolina, to Anne, a psychiatric social worker who emigrated from Dunoon, Scotland, and Peter Moore Smith, a military lawyer, judge, helicopter pilot and army colonel. Growing up as an "army brat" she lived in several places across the United States and Germany. Moore attended Frankfurt American High School in Frankfurt, Germany, graduating in 1979. She received her Bachelor's degree at the College of Fine Arts in Boston University.
Moore moved to New York City in 1983, working as a waitress before being cast in the dual roles of Frannie and Sabrina Hughes on the soap opera As the World Turns, for which she won a Daytime Emmy Award; she played the roles from 1985 to 1988. Because of Screen Actors Guild rules, she had to change her name, since there were already actresses named "Julie Smith" and "Julianne Smith." She chose her father's middle name, "Moore." But because there was already another actress named "Julie Moore," she finally settled on "Julianne Moore."
Moore began starring in feature films in the early 1990s, mostly appearing in supporting roles in films like The Hand That Rocks the Cradle, Benny and Joon, and The Fugitive. Her part in 1993's Short Cuts gained her critical acclaim and recognition, and she was cast in several high-profile Hollywood films, including 1995's romantic comedy Nine Months, and 1997's summer blockbuster The Lost World: Jurassic Park. Her role in the well-reviewed independent film Safe also attracted critical attention.
During the late 1990s and early 2000s, Moore appeared in a series of films that received Oscar recognition, including her roles in Boogie Nights ("Best Supporting Actress" nomination), The End of the Affair ("Best Actress" nomination) and her two 2002 films, Far From Heaven ("Best Actress" nomination) and The Hours ("Best Supporting Actress" nomination). During this period, she also appeared in the commercial successes Hannibal (controversially replacing Jodie Foster as Clarice Starling), The Forgotten and in Paul Thomas Anderson's follow-up to Boogie Nights, Magnolia.
Her film Freedomland opened in February 2006 to mixed reviews. Another film, Trust the Man, is directed by her husband, Bart Freundlich, and also features her son, Caleb.
In March 2006, it was announced Moore would make her Broadway debut in the world premiere of David Hare's new play The Vertical Hour. The play opened in November 2006 and was directed by Sam Mendes. She most recently appeared opposite Nicolas Cage and Jessica Biel in Next, a science fiction action film based on The Golden Man, a short story by noted author Philip K. Dick.

"The point of acting is to share, to connect. That's why I act. Acting is the greatest answer to my loneliness that I have found."

Danes was born in Manhattan to Christopher Danes, a computer consultant and former architectural photographer, and Carla, a day care provider, painter, and textile designer who would later serve as Claire's manager. Danes has described her background as being "as WASPy as you can get". Danes attended the Dalton School in New York City, the Professional Performing Arts School in New York City, and the exclusive private high school Lycée Français de Los Angeles in Los Angeles, California. In 1998, Danes went to Yale University. After studying for two years as a psychology major, she dropped out of Yale to focus on her film career.
Danes is perhaps most famous for bringing Angela Chase to life in the 1994 television drama series My So-Called Life, for which she won a Golden Globe Award and received an Emmy nomination. She played Elizabeth ("Beth") March in the 1994 movie adaption of Little Women. She also appeared as Holly Hunter's daughter in Home For The Holidays, which was directed by Jodie Foster. This was followed by her role as Juliet in Baz Luhrmann's 1996 film William Shakespeare's Romeo + Juliet co-starring Leonardo DiCaprio. The same year she turned down the part of Rose in Titanic due to exhaustion from Romeo and Juliet. Her first role in an animated feature came in 1999 with the English version of Princess Mononoke. During the same year, she took the lead role in Brokedown Palace, alongside Kate Beckinsale and Bill Pullman.
In 2002, Danes starred opposite Susan Sarandon and Kieran Culkin in Igby Goes Down. She later co-starred as Meryl Streep's daughter in the Oscar-nominated The Hours, with Nicole Kidman, Julianne Moore, and Ed Harris. The following year, she was cast in Terminator 3: Rise of the Machines; and Stage Beauty, in 2004. She earned critical acclaim in 2005 when she starred in Steve Martin's Shopgirl alongside Martin and Jason Schwartzman, and in The Family Stone opposite Sarah Jessica Parker and Diane Keaton. In 2007, Danes appeared in the fantasy epic Stardust, which she described as a "classic model of romantic comedy", opposite Michelle Pfeiffer, Robert De Niro, and Sienna Miller, and will appear in The Flock, opposite Richard Gere.
Danes appeared in Off-Broadway plays including Happiness, Punk Ballet, and Kids On Stage, in which she choreographed her own solo dance. She also wrote the introduction to Neil Gaiman's Death: The Time of Your Life. Danes also auditioned for the role of Lois Lane in Superman Returns before the role went to Kate Bosworth.Starting in September, Danes will make her Broadway debut in the revival of George Bernard Shaw's Pygmalion starring as Eliza Doolittle.

“Even from a very early age I knew I didn't want to miss out on anything life had to offer just because it might be considered dangerous.”
Kidman's first appearance in film came in 1983 when, as a fifteen year-old, she appeared in the Pat Wilson music video for the song Bop Girl. By the end of the year she had secured a supporting role in the television series Five Mile Creek and four film roles, including BMX Bandits and Bush Christmas. During the 1980s, she appeared in several Australian movies and TV series, notably including the soap opera A Country Practice, the mini-series Vietnam (1986), Emerald City (1988), and Bangkok Hilton (1989).In 1989, Kidman starred in the thriller Dead Calm as Rae Ingram, the wife of naval officer John Ingram (Sam Neill), held captive on a Pacific Ocean yacht trip by the psychotic Hughie Warriner (Billy Zane). The thriller film received generally positive reviews; the staff of Variety.com commented: "Throughout the film, Kidman is excellent. She gives the character of Rae real tenacity and energy." Meanwhile, critic Roger Ebert noted the excellent chemistry between the leads, stating, "...Kidman and Zane do generate real, palpable hatred in their scenes together." In 1990, she appeared opposite Tom Cruise in Days of Thunder, a stock car racing movie. After this, Kidman starred with Cruise in Ron Howard's Far and Away (1992). In 1995, Kidman featured in the ensemble cast of Batman Forever. On November 20, 1993 she hosted Saturday Night Live.
Her second film in 1995, To Die For was a satirical comedy that earned her praise from critics. She won a Golden Globe Award, and five other best actress awards for her portrayal of the murderous newscaster Suzanne Stone Maretto. Kidman and Cruise portrayed a married couple in Eyes Wide Shut in 1999, Stanley Kubrick's final film.In 2002, Kidman received an Academy Award nomination for her performance in the 2001 film Moulin Rouge!, in which she played the courtesan Satine opposite Ewan McGregor. Consequently, Kidman received her second Golden Globe Award for Best Actress in a Motion Picture Musical or Comedy. The same year, she had a well-received starring role in the horror film The Others. While in Australia filming Moulin Rouge!, Kidman injured her knee; as a result, Jodie Foster had to replace her in the film Panic Room. Instead she was the voice on the phone of the mistress of Jodie Foster's character's husband.
The following year, Kidman won critical praise for her portrayal of Virginia Woolf in The Hours, in which the prosthetics applied to her made her almost unrecognizable. She won the Academy Award for Best Actress for this role, along with a Golden Globe Award, a BAFTA, and numerous critics awards. Kidman became the first Australian actress to win an Academy Award. During her Academy Award acceptance speech, after tearing, Kidman made a statement about the importance of art, even during times of war: "Why do you come to the Academy Awards when the world is in such turmoil? Because art is important. And because you believe in what you do and you want to honor that, and it is a tradition that needs to be upheld."In the same year, Kidman took a hand at film production in the film In the Cut. In 2003, Kidman starred in three very different films. Dogville, by Danish director Lars von Trier, an experimental film set on a bare soundstage. Secondly, she co-starred alongside Anthony Hopkins in the film adaptation of Philip Roth's novel The Human Stain. Many critics felt that both Kidman and Hopkins were miscast. Cold Mountain, a love story of two Southerners separated by the Civil War, was her final release that year, and garnered her a Golden Globe Award nomination.In 2004, Kidman appeared in the critically panned remake of The Stepford Wives alongside Glenn Close, Faith Hill and Bette Midler. In September of the same year, Birth, in which the 37-year-old actress' character has an encounter with a 10-year-old boy (played by Cameron Bright) who attempts to convince her that he is a reincarnation of her dead husband, was met with a mixed reception primarily due to a scene where the boy strips and joins Kidman in the bathtub. Despite this, the film was nominated for the Golden Lion Award at the Venice Film Festival, and Kidman was nominated for another Golden Globe Award. Kidman's two movies in 2005 were The Interpreter, directed by Sydney Pollack, and Bewitched, co-starring Will Ferrell, based on the 1960s TV sitcom of the same name; the latter fared abysmally with critics and at the box office.In conjunction with her success in the film industry, Kidman became the face of the Chanel No. 5 perfume brand. She starred in a campaign of television and print ads with Rodrigo Santoro, directed by Moulin Rouge! director Baz Luhrmann to promote the fragrance during the holiday season in 2004, 2005, and 2006. The three-minute commercial produced for Chanel No. 5 perfume made Kidman the record holder for the most money paid per minute to an actor after she reportedly earned $US3.71 million.During this time, Kidman was also listed as the 45th Most Powerful Celebrity on the 2005 Forbes Celebrity 100 List. She made a reported US$14.5 million in 2004-2005. On People magazine's list of 2005's highest paid actresses, Kidman was second behind Julia Roberts with a US$16 million to US$17 million per-film price tag. She has since passed Roberts as the highest paid actress, due in no small part to Roberts's recent devotion to parenting and broadway theatre acting rather than film work.Kidman has at least five movies in production over the next two years. She has completed filming the Diane Arbus bio-pic Fur, director Oliver Hirschbiegel's science fiction movie The Invasion and Noah Baumbach's comedy-drama Margot at the Wedding. She has also provided her voice for the animated movie Happy Feet. She is currently working on the film adaptation of the first part of the His Dark Materials trilogy in which she plays the villainous Mrs. Coulter. She is also set to star in director Wong Kar-wai's next film, The Lady from Shanghai and Baz Luhrmann's Australian period film titled Australia, which is set in the remote Northern Territory during the Japanese attack on Darwin during World War II. Kidman will play an English woman feeling overwhelmed by the continent, opposite Hugh Jackman.On 25 June 2007, Nintendo announced that Kidman is to be the new face of Nintendo's advertising campaign for the Nintendo DS game More Brain Training in its European market.It is reported that Kidman will star and produce in an upcoming romantic comedy film called Monte Carlo. She plays one member of a trio of school teachers on holiday who cut short their no-frills sojourn in Paris and head to Monte Carlo, where they pose as wealthy vacationers.

“I remember one morning getting up at dawn, there was such a sense of possibility. You know, that feeling? And I remember thinking to myself: So, this is the beginning of happiness. This is where it starts. And of course there will always be more. It never occurred to me it wasn't the beginning. It was happiness. It was the moment. Right then.”
"The Hours" more than lives up to its critical praise. If nothing else it is a must see for the originality of the technique. The film (and the book by Michael Cunningham) is structured around the process of linking up three stories set at different points in time. Each story concerns a woman trying to define herself, to identify what she needs, and to find a way to get it.
The 1920's story concerns Virginia Woolf's (Nicole Kidman) efforts to write her first successful novel, "Mrs. Dallaway"; which is the story of one day in the life of a woman named Clarissa Dallaway. The story set in the early 1950's concerns Laura Brown (Julianne Moore), a woman who is reading "Mrs. Dallaway". Finally the contemporary story concerns Clarissa Vaughn (Meryl Streep) who is essentially living Mrs. Dallaway's life in modern NYC. All three performances are extraordinary in their own unique ways and there are wonderful performances from all members of the supporting cast. It is as if each member of the ensemble brought out the best in each other.
Each story begins with the husband/lover of each woman leading the camera to the woman. All three women are found in bed and this begins a match cut process that will repeat itself throughout the film as the director and editor work to connect and unify the three separate stories. Woolf writes: "Mrs. Dallaway said she would buy the flowers herself" just as Laura Brown reads that sentence and Clarissa speaks that sentence.
Kidman's Woolf is an amazing character. She is a psychological mess, making life difficult for those around her and full of torment and despair. Yet she has a subtle charm that helps you to understand why people found her fascinating.
This is an ambitious character study film with many characters. By necessity, both films rely more on behavioral language than dialogue in revealing the personality of its characters. Note Laura Brown's neatness obsession as she readies her house and herself prior to leaving for the hotel.
Woolf began the book "Mrs. Dallaway" with the intention of basing it on a society woman she knew who unexpectedly committed suicide. Brown describes the book to her neighbor as: "Oh, it's about this woman who's incredibly - well, she's a hostess and she's incredibly confident and she's going to give a party. And, maybe because she's confident, everyone thinks she's fine... but she isn't".
At its core this is a movie about art but it is a broad definition of art, writing a book - baking a cake - giving a party. Each woman/artist is driven and frustrated by a need for unattainable perfection. There is a touch of irony to each situation. For example, Laura Brown is where she is because her husband has pulled her into the great American dream without realizing that it was the worse thing he could do to her. Although all three women love their children/child/niece, those relationships do not give them what they need.
There is a visitor and a kiss in each story central to the self-definition process each woman is going through. Virginia kisses her sister Vanessa (Miranda Richardson), desperately trying to force a better connection with her. Vanessa understands this, she is not shocked by the kiss but by the implication that her sister needs this so desperately.
Sophie Wyburd who plays Virginia's young niece was obviously cast for her haunting voice and her ability to display such a focused intensity. Each woman has a child picking up on their needs, which the adults around them do not seem to be aware of.
Watch the scene where Laura's husband is urging her to come to bed. Moore's voice does not betray the revulsion or the internal struggle which only viewers can see on her face. In fact at this point each woman's partner is urging her to go to bed but each must first a make choice. Then watch for the great match cut, Virginia announces that she has decided that the poet will die in her novel and they cut to little Richard lying in his bed. Moore's expression finally tells us that she has decided to leave her family. Streep's kiss signifies her recognition of the preciousness of what she still has in her life and her choice to embrace it and move forward.
Ultimately this film is about the increasing difficulty we have as we get older in making choices. This is because as we discover who we are, we also experience loss and accumulate grief over the course of our lives, making us ever more aware of the cost of our choices. Clarissa looks back on a short moment that she thought was the beginning of happiness and realizes that it was her only moment of actual happiness… 10/10