Cinema Experts

Founded by the brothers Harvey and Bob Weinstein in Buffalo, New York in 1979, and named by combining the first names of their parents Max and Miriam, the company was originally created in order to distribute independent films which were deemed commercially unfeasible by the major studios.
The company's first major success came when the Weinsteins teamed up with British producer Martin Lewis and acquired US rights to two concert films Lewis had produced of benefit shows for human rights organization Amnesty International. The Weinsteins worked with Lewis to distill the two films into one film for the US marketplace and the resulting film The Secret Policeman's Other Ball (US Version) was a successful release for Miramax in the summer of 1982. It also presaged a modus operandi that the company would undertake later in the 1980s of acquiring films from international filmmakers and reworking them to suit US sensibilities.
Among the company's other breakthrough films as distributors later in the 1980s were The Crying Game, Tie Me Up! Tie Me Down! and Scandal. The company also made films such as Pulp Fiction, Heavenly Creatures and Shakespeare in Love.
In addition to those successes, Miramax acquired and/or produced many films which did extraordinarily well financially and the company became one of the leaders of the independent film revolution of the 1990s. It produced or distributed seven films with box office grosses totalling more than $100 million and its most successful title, Chicago, earned more than $300 million worldwide. The company was also exceptionally successful in securing Academy Award nominations for its releases and a large number of the nominations resulted in Oscar wins.
In 1993 Miramax was purchased for $70 million by The Walt Disney Company. Harvey and Bob Weinstein ran Miramax until they left the company on September 30, 2005. During their tenure, the Weinstein brothers ran Miramax independently of other Disney companies. However, Disney had the final say on what Miramax could release. Disney's Buena Vista Home Entertainment division releases Miramax output.
After extensive negotiations and much media and industry speculation, on March 30, 2005, Disney and the Weinsteins announced that they would not renew their contractual relationship when their existing agreements expired at the end of September 2005. The company's film studio consortium, Buena Vista Motion Pictures Group assumed control of Miramax, which will have a smaller annual production budget. The Weinsteins have started a new film production company simply titled The Weinstein Company and took the Dimension Films label with them, but the Miramax name will remain with the film studio owned by Disney. It is currently run by Daniel Battsek.
Miramax has come under criticism for its editing, dubbing, and replacing the soundtracks of various foreign films it releases. One notable example is Iron Monkey, which though released subtitled, had its subtitles altered to remove the political context of the story, had scenes trimmed and changed for violence and pacing, and had the soundtrack changed, removing the famous Wong Fei Hung theme. Other films that they have altered in this way include Shaolin Soccer, Farewell My Concubine (theatrical release) and Jet Li's Fist of Legend.
Peter Biskind's book Down and Dirty details many of Weintein's dishonest dealings with filmmakers. Under the Weinsteins, Miramax had a history of buying the rights to Asian films, only to sit on them without releasing them for some years. One example of this is Hero, a 2002 Chinese martial arts film. It languished in Miramax's vaults for two years before it was salvaged with the intervention of Quentin Tarantino. And sometimes Miramax purchased films only to never release them. An example of this is Tears of the Black Tiger, a Thai film. After changing the ending of the film, Tears of the Black Tiger sat in Miramax's vaults for five years until its rights were purchased by Magnolia Pictures in 2006.
One reason for the delays and non-releases of films was an accounting scheme the Weinsteins used to shift potential money-losing films to future fiscal years and ensure they would receive annual bonuses from Disney. Many North American fans, wanting to see the films held up by Miramax, would seek out DVD versions of the films on the Internet from overseas dealers. MonkeyPeaches, a website about Chinese movies, accuses both its ISP and Miramax of "backstabbing" their site by threatening, without giving the site any warning, a lawsuit unless it immediately stopped selling Hero, which was still in US theaters. The ISP responded by shutting down the site.
As a result of the Weinsteins' actions, a number of Asian producers who sold their distribution rights to the company refuse to do so for their subsequent films.
Defenders of the company point out that prior to Miramax most of the films purchased by the company would have had little to no chance of achieving US distribution other than by very small distributors with minimal marketing expertise and funds. They also state that the purpose of the company's aggressive re-editing technique was always to try help the films find a broader American audience than they might otherwise find.
"I'm not cutting for fun," Harvey Weinstein said in an interview. "I'm cutting for the shit to work. All my life I served one master: the film. I love movies."

"With any part you play, there is a certain amount of yourself in it. There has to be, otherwise it's just not acting. It's lying."
Johnny Depp's first major role was in the 1984 horror film A Nightmare on Elm Street, playing the heroine's boyfriend and one of Freddy's victims. In 1986, he also appeared in a secondary role as a Vietnamese speaking private in Oliver Stone's Platoon. Johnny has since stated that he feels Platoon was the first 'proper' film he was in. Depp then left his teen idol image in 1990, after playing the quirky title role in the Tim Burton film, Edward Scissorhands. The film's success began a long association with Burton, as Depp starred in several of his films, including Ed Wood (1994), Sleepy Hollow (1999), Charlie and the Chocolate Factory (2005) and Corpse Bride (2005). Depp, an avid fan and long-time friend of writer Hunter S. Thompson, played a version of Thompson (named Raoul Duke) in 1998's Fear and Loathing in Las Vegas, based on the writer's pseudobiographical novel of the same name. Depp also accompanied Thompson as his road manager on one of the author's last book tours. In 2006, Depp contributed a touching and personal foreword to Gonzo by Hunter S. Thompson, a posthumous visual biography of the writer's legacy published by ammobooks.com. A close friend of Thompson's, Depp paid for most of Thompson's memorial event, complete with fireworks and the shooting of Thompson's ashes by a cannon, in Aspen, Colorado, where Thompson lived.
Depp's film characters have been described by the press as "iconic loners," and Depp has noted that this period of his career was full of "studio defined failures" and films that were "box office poison," stating that he believes film studios never "understood" the films he appeared in and did not know how to market them properly. Depp has also said that he specifically chose to appear in films that he found personally interesting, rather than those he thought would succeed at the box office.
Depp's status as a major star was solidified with the success of the 2003 Walt Disney Pictures film Pirates of the Caribbean: The Curse of the Black Pearl, for which his lead performance as the suave pirate Captain Jack Sparrow was highly praised. The performance was initially received negatively by the studio bosses who saw the film, but the character became popular with the movie-going public; in 2006, Depp's co-star from the sequel to Pirates of the Caribbean, Bill Nighy, described the role as probably being "one of the most popular performances of recent times."The film's director, Gore Verbinski, has said that Depp's Jack Sparrow character closely resembles Depp's own personality, although Depp himself said that he modelled the character after Rolling Stones guitarist Keith Richards. Depp, who has noted that he was "surprised" and "touched" at the positive reception given to the film, was nominated for an Academy Award for the role. In 2004, he was again nominated for a Best Actor Oscar, this time for playing Scottish author J. M. Barrie in the film Finding Neverland. Depp next starred as Willy Wonka in the 2005 film Charlie and the Chocolate Factory, which was a major success at the box office.
Depp returned to the character of Jack Sparrow for the sequel Pirates of the Caribbean: Dead Man's Chest, which opened on July 7, 2006 and grossed $135.5 million in the first three days of its U.S. release, breaking a box office record in reaching the highest weekend tally ever. The next sequel to Pirates of the Caribbean named At World's End was released May 24, 2007; Depp has mentioned his attachment to his Captain Jack Sparrow character, specifying that Sparrow is "definitely a big part of me," and expressing his desire to portray the character in further sequels. Depp voiced Sparrow in the video game, Pirates of the Caribbean: The Legend of Jack Sparrow.
Depp and Gore Verbinski are executive producers of the album "Rogues Gallery, Pirate Ballads, Sea Songs and Chanteys".
Depp, as a child was obsessed with Dark Shadows. Warner Brothers pitched the idea of making another film to Johnny, and he accepted. In July 2007 a rights deal was closed with the estate of Dan Curtis , the producer/director who created the soap that aired weekdays on ABC, from 1966 to 1971. Depp and Graham King will produce with David Kennedy, who ran Dan Curtis Productions inc. until Curtis died in 2006 of a brain tumor. Infinitum-Nihil's Christi Dembrowski served as the point person on the deal.
It has been confirmed that he will portray Paul Kemp, the main character in a film version of writer Hunter S. Thompson's book, The Rum Diary. Johnny Depp will next play the title role of Sweeney Todd in Tim Burton's film adaptation of the musical Sweeney Todd. Depp's production company has picked up the rights to the story of poisoned former Russian spy Alexander Litvinenko.