Cinema Experts

Founded by the brothers Harvey and Bob Weinstein in Buffalo, New York in 1979, and named by combining the first names of their parents Max and Miriam, the company was originally created in order to distribute independent films which were deemed commercially unfeasible by the major studios.
The company's first major success came when the Weinsteins teamed up with British producer Martin Lewis and acquired US rights to two concert films Lewis had produced of benefit shows for human rights organization Amnesty International. The Weinsteins worked with Lewis to distill the two films into one film for the US marketplace and the resulting film The Secret Policeman's Other Ball (US Version) was a successful release for Miramax in the summer of 1982. It also presaged a modus operandi that the company would undertake later in the 1980s of acquiring films from international filmmakers and reworking them to suit US sensibilities.
Among the company's other breakthrough films as distributors later in the 1980s were The Crying Game, Tie Me Up! Tie Me Down! and Scandal. The company also made films such as Pulp Fiction, Heavenly Creatures and Shakespeare in Love.
In addition to those successes, Miramax acquired and/or produced many films which did extraordinarily well financially and the company became one of the leaders of the independent film revolution of the 1990s. It produced or distributed seven films with box office grosses totalling more than $100 million and its most successful title, Chicago, earned more than $300 million worldwide. The company was also exceptionally successful in securing Academy Award nominations for its releases and a large number of the nominations resulted in Oscar wins.
In 1993 Miramax was purchased for $70 million by The Walt Disney Company. Harvey and Bob Weinstein ran Miramax until they left the company on September 30, 2005. During their tenure, the Weinstein brothers ran Miramax independently of other Disney companies. However, Disney had the final say on what Miramax could release. Disney's Buena Vista Home Entertainment division releases Miramax output.
After extensive negotiations and much media and industry speculation, on March 30, 2005, Disney and the Weinsteins announced that they would not renew their contractual relationship when their existing agreements expired at the end of September 2005. The company's film studio consortium, Buena Vista Motion Pictures Group assumed control of Miramax, which will have a smaller annual production budget. The Weinsteins have started a new film production company simply titled The Weinstein Company and took the Dimension Films label with them, but the Miramax name will remain with the film studio owned by Disney. It is currently run by Daniel Battsek.
Miramax has come under criticism for its editing, dubbing, and replacing the soundtracks of various foreign films it releases. One notable example is Iron Monkey, which though released subtitled, had its subtitles altered to remove the political context of the story, had scenes trimmed and changed for violence and pacing, and had the soundtrack changed, removing the famous Wong Fei Hung theme. Other films that they have altered in this way include Shaolin Soccer, Farewell My Concubine (theatrical release) and Jet Li's Fist of Legend.
Peter Biskind's book Down and Dirty details many of Weintein's dishonest dealings with filmmakers. Under the Weinsteins, Miramax had a history of buying the rights to Asian films, only to sit on them without releasing them for some years. One example of this is Hero, a 2002 Chinese martial arts film. It languished in Miramax's vaults for two years before it was salvaged with the intervention of Quentin Tarantino. And sometimes Miramax purchased films only to never release them. An example of this is Tears of the Black Tiger, a Thai film. After changing the ending of the film, Tears of the Black Tiger sat in Miramax's vaults for five years until its rights were purchased by Magnolia Pictures in 2006.
One reason for the delays and non-releases of films was an accounting scheme the Weinsteins used to shift potential money-losing films to future fiscal years and ensure they would receive annual bonuses from Disney. Many North American fans, wanting to see the films held up by Miramax, would seek out DVD versions of the films on the Internet from overseas dealers. MonkeyPeaches, a website about Chinese movies, accuses both its ISP and Miramax of "backstabbing" their site by threatening, without giving the site any warning, a lawsuit unless it immediately stopped selling Hero, which was still in US theaters. The ISP responded by shutting down the site.
As a result of the Weinsteins' actions, a number of Asian producers who sold their distribution rights to the company refuse to do so for their subsequent films.
Defenders of the company point out that prior to Miramax most of the films purchased by the company would have had little to no chance of achieving US distribution other than by very small distributors with minimal marketing expertise and funds. They also state that the purpose of the company's aggressive re-editing technique was always to try help the films find a broader American audience than they might otherwise find.
"I'm not cutting for fun," Harvey Weinstein said in an interview. "I'm cutting for the shit to work. All my life I served one master: the film. I love movies."

"You're only given one little spark of madness. You mustn't lose it."
Williams first achieved notice for his stand-up routines, performing for tips, and working clubs like The Purple Onion in San Francisco. After appearing in the cast of the short-lived The Richard Pryor Show on NBC, he was cast by Garry Marshall as the alien Mork in a guest role in the TV series Happy Days.
As Mork, Williams improvised much of his dialogue and devised plenty of rapid-fire verbal and physical comedy, speaking in a high, nasal voice. Mork's appearance was so popular with viewers that it led to a spin-off hit television sitcom, Mork and Mindy, which ran from 1978 to 1982. Williams became an overnight sensation, and Mork was featured on posters, coloring books, lunchboxes, and other merchandise. His nonsensical catch phrases, including the greeting "Nanu, Nanu!" and the expletive "Shazbot!", were widely known.
Starting in the late '70s and throughout the '80s, Williams began to reach a wider audience with his standup comedy, including three HBO comedy specials, Off The Wall (1978), An Evening with Robin Williams (1982) and Robin Williams: Live at the Met (1986). His standup work has been a consistent thread through his career, as is seen by the success of his one-man show Robin Williams Live on Broadway (2002). He was voted 13th on Comedy Central's list "100 Greatest Stand-ups of All Time".
After some encouragement from his friend Whoopi Goldberg, he was set to make a guest appearance in the 1991 Star Trek: The Next Generation episode, "A Matter of Time", but he had to cancel due to a scheduling conflict. Williams also appeared on an episode of Whose Line Is It Anyway?. During a game of "Scenes from a Hat", the scene "What Robin Williams is thinking right now" was drawn, and Williams stated "I have a career. What the hell am I doing?"
The majority of Williams' acting career has been in film, although he has given some memorable performances on stage as well (notably as Estragon in a production of Waiting for Godot). His first starring roles, Popeye (1980) and The World According to Garp (1982), were both considered flops, but his performance in Good Morning, Vietnam (1987) got Williams nominated for an Academy Award and established a screen identity. Many of his roles have been comedies tinged with pathos, for example, The Birdcage and Mrs. Doubtfire.
His role as the Genie in the animated film Aladdin was instrumental in establishing the importance of star power in voice actor casting. Later, Williams once again used his voice talents in A.I, the 2005 animated feature Robots, the 2006 Academy Award winning Happy Feet, and an uncredited vocal performance in 2006's Everyone's Hero. Williams has also starred in dramatic films, earning himself two subsequent Academy Award nominations: first for playing an unorthodox and inspiring English teacher in Dead Poets Society (1989), and later for playing a troubled homeless man in The Fisher King (1991); that same year, he played an adult Peter Pan in the movie Hook. Other acclaimed dramatic films include Awakenings (1990), What Dreams May Come (1998), and Jakob the Liar (1999).
In 1997, he won an Oscar as Best Supporting Actor for his role as a psychologist in Good Will Hunting. However, by the early 2000s, he was thought by some to be typecast in films such as Patch Adams (1998) and Bicentennial Man (1999) that critics complained were excessively maudlin. This apparently prompted Williams to take radically unconventional roles, beginning with a role as a lowlife kiddie show host in the dark comedy Death to Smoochy, followed by One Hour Photo in a watershed performance as an obsessed film developer, Insomnia as a sociopathic writer, and The Final Cut, which is more in tune with Williams as a protagonist. In 2006 Williams starred in The Night Listener, a thriller about a radio show host who realizes he's developed a friendship with a child who may or may not exist.In 2006, he starred in five movies including Man of the Year and was the Surprise Guest at the 2006 Nickelodeon Kids' Choice Awards. At one point, he was in the running to play the Riddler in Batman Forever until director Tim Burton dropped the project. Williams had earlier been a prime candidate to play the Joker in Batman. He had expressed interest in assuming the role in the sequel to 2005's Batman Begins.

"I'd had people say, 'You'll enjoy being famous for a week, and you'll never enjoy it again. But I don't think I had that week. I may have been working and missed that moment."
Matthew Paige Damon is an American actor and screenwriter. Damon's first film role came in 1988 with one line in the romantic comedy Mystic Pizza. Damon appeared in small roles before landing a big part in Geronimo: An American Legend with Gene Hackman and Jason Patric. He next appeared as a heroin-addicted soldier in 1996's Courage Under Fire. He was required to lose 40 pounds in 100 days (for only two days of filming). After following a self-prescribed diet and fitness regimen to lose the weight, Damon was advised after the filming that he was fortunate his heart did not shrink. Damon was required to be on medication for several years to correct the stress inflicted on his adrenal gland, but maintains it was worthwhile to properly reflect his character's anguish and to show the industry how committed he was to the role.
Damon and actor Ben Affleck, close personal friends as well as co-stars in several films, developed a thriller about a young math genius, which they pitched around Hollywood. Receiving advice from writer/director/actor Rob Reiner, screenwriter William Goldman, and their friend writer/director Kevin Smith, the two changed the script around to focus on a young math genius trying to make his way in the world. Goldman's only advice was to agree with Reiner in that the script should lose its early thriller focus. This script eventually became Good Will Hunting, which earned both Damon and Affleck Oscars for Best Original Screenplay. Damon was also nominated for an Academy Award for Best Actor for the same film (which netted an Oscar for Best Supporting Actor for co-star Robin Williams). Damon parodied this as a fictional version of himself in Kevin Smith's Jay and Silent Bob Strike Back.
Damon has been known to choose a wide variety of film roles, from his portrayal of bisexual murderer Tom Ripley in The Talented Mr. Ripley, for which he received a Golden Globe nomination for Best Actor, to a fallen angel who discusses pop culture as intellectual subject matter in Dogma, in which he co-starred with Affleck (1999); from a conjoined twin in Stuck on You, to a film he co-wrote with friend Casey Affleck and Gus Van Sant with limited dialogue - the low budget experimental film Gerry. Damon has been part of two major film franchises. He played amnesiac assassin Jason Bourne in the successful action movies The Bourne Identity, The Bourne Supremacy and The Bourne Ultimatum and starred as the youthful, optimistic thief, Linus Caldwell, opposite George Clooney, Brad Pitt, and Julia Roberts in Steven Soderbergh's remake of the Rat Pack's 1960 caper classic Ocean's Eleven. The successful crime dramedy spawned two sequels: Ocean's Twelve and Ocean's Thirteen.
Among other high profile roles, Damon played a fictionalized version of Wilhelm Grimm in Terry Gilliam's fantasy adventure The Brothers Grimm and an energy analyst in Syriana. He was recently onscreen in Robert DeNiro's The Good Shepherd as a career CIA agent, and played an undercover mobster working for the Massachusetts State Police in Martin Scorsese's Oscar-winning The Departed, a remake of the Hong Kong police thriller Infernal Affairs. He also has a supporting role in Kenneth Lonergan's film Margaret.
On Wednesday, July 25, 2007, Damon became the 2,343rd person to receive a star on the Hollywood Walk of Fame.

“Sometimes I wish I had never met you. Because then I could go to sleep at night not knowing there was someone like you out there.”
Set in Boston, Massachusetts, it tells the story of Will Hunting (Matt Damon), a troubled prodigy who works as a janitor at the Massachusetts Institute of Technology, despite the fact that his knowledge of and facility with higher mathematics far outstrips that of anyone in the university. Will must learn to overcome his deep fear of abandonment in order to learn how to trust and love the people who care about him. Good Will Hunting is the story of a young man and his struggle with both himself and personal relationships, trying to work through his problems so that he can open up to others, and begin putting his immeasurable intellectual potential to work.
Will, however, has no interest in pursuing a prestigious career in mathematics. He only reluctantly agrees to hold private lessons with the professor, being the only way to get out of jail after a spate of violence lands him there. Part of his parole deal, however, is to meet with a therapist twice a week. After getting a couple of shrinks to give up on him, Will finally lands with psychology teacher Sean Maguire (Robin Williams) who has a similar background as Wills', hailing from the same tough neighborhood in south Boston.

As Sean tries to get through to Will emotionally, the professor tries to train Will's mind in advanced mathematics. All the while, Will, who has had trouble maintaining a loving relationships due to his troubled past, begins to get seriously involved with a girl named Skylar (Minnie Driver). Meanwhile, the professor and the psychiatrist, who've had a rivalry of sorts back in their day, begin to quibble over what's best for Will's future.
Filled with great profound dialogs and intense emotional scenes, it's an immense emotional experience. It obviously has very 'heavy' subject-matter, and thus not an easy light watch, but it is very rewarding and entertains throughout. The most effective parts of "Good Will Hunting" show the conflict between two sets of parallel individuals: Will and Chuckie, and Professors Lambeau and Maguire. The intense and latent rivalry between the two academics describes a potential future for the two twenty-year-olds. Maguire consistently, at least on a superficial basis, searches for the default respect the MIT mathematician receives. Will, although reticent and clearly an outcast, seeks a similar form of respect, although not for his academic qualities, but for his social abilities. Throughout "Good Will Hunting," both pairs of spotlighted characters, after a series of enlightening "adventures," become comfortable with themselves. Despite this banal-sounding narrative flow, the execution is mostly interesting and often unpredictable.
Instead, of giving us a hokey feel good ending, Affleck and Damon offer something much more insightful and honest. Will recognizes that he must deal with lingering emotional problems before he can be satisfied and successful in any profession. The ending is only a recognition of the problem, not a solution. So instead of neatly wrapped up closure, Good Will Hunting ends with something much closer to real life. 9/10